The Æneid of Virgil translated into English proseVirgil
General
The Æneid of Virgil translated into English prose
Virgil
Aeneas (Legendary character); Epic poetry, Latin -- Translations into English; Legends -- Rome
First they approach the temples and inquire for pardon
from altar to altar; duly they slaughter chosen sheep to
Ceres the lawgiver, to Phœbus, and to father Lyæus[171]—above 5
all to Juno, who makes marriage bonds her care.
Dido herself, in all her beauty, takes a goblet in her
hand, and pours it out full between the horns of a heifer
of gleaming white, or moves majestic in the presence of
the gods towards the richly-laden altars, and solemnizes 10
the day with offerings, and gazing greedily on the victims’
opened breasts, consults the entrails yet quivering with
life. Alas! how blind are the eyes of seers! What can
vows, what can temples do for the madness of love? All
the while a flame is preying on the very marrow of her 15
bones, and deep in her breast a wound keeps noiselessly
alive. She is on fire, the ill-fated Dido, and in her madness
ranges the whole city through, like a doe from an
arrow-shot, whom, unguarded in the thick of the Cretan
woods, a shepherd, chasing her with his darts, has pierced 20
from a distance, and left the flying steel in the wound,
unknowing of his prize; she at full speed scours the
forests and lawns of Dicte; the deadly reed still sticks
in her side. Now she leads Æneas with her through the
heart of the town, and displays the wealth of Sidon, and 25
the city built to dwell in. She begins to speak, and stops
midway in the utterance. Now, as the day fades, she
seeks again the banquet of yesterday, and once more in
frenzy asks to hear of the agonies of Troy, and hangs
once more on his lips as he tells the tale. Afterwards, 30
when the guests are gone, and the dim moon in turn is
hiding her light, and the setting stars invite to slumber,
alone she mourns in the empty hall, and presses the
couch he has just left; him far away she sees and hears,
herself far away; or holds Ascanius long in her lap, spellbound 35
by his father’s image, to cheat, if she can, her ungovernable
passion. The towers that were rising rise no
longer; the youth ceases to practise arms, or to make
ready havens and bulwarks for safety in war; the works
are broken and suspended, the giant frowning of the
walls, and the engine level with the sky.
Public-domain text, read in full here on John Shaqi.
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