The Æneid of Virgil translated into English proseVirgil
General
The Æneid of Virgil translated into English prose
Virgil
Aeneas (Legendary character); Epic poetry, Latin -- Translations into English; Legends -- Rome
“Dearest, I have found a way—wish me joy, as a sister
should—to bring him back to me, or to loose me from the
love which binds me to him. Hard by the bound of ocean
and the setting sun lies the extreme Ethiopian clime, where
mighty Atlas turns round on his shoulders the pole, studded 35
with burning stars. From that clime, I have heard of a
priestess of the Massylian race, once guardian of the
temple of the Hesperides, who used to give the dragon his
food, and so preserve the sacred boughs on the tree, sprinkling
for him moist honey and drowsy poppy-seed. She,
by her spells, undertakes to release souls at her pleasure,
while into others she shoots cruel pangs; she stops the
water in the river-bed, and turns back the stars in their 5
courses, and calls ghosts from realms of night. You will
see the earth bellowing under you, and the ashes coming
down from the mountain-top. By the gods I swear,
dearest sister, by you and your dear life, that unwillingly
I gird on the weapons of magic. Do you, in the privacy 10
of the inner court, build a pile to the open sky; lay on it
the arms which that godless man left hanging in the
chamber, and all his doffed apparel, and the nuptial bed
which was my undoing. To destroy every memorial of
the hateful wretch is my pleasure, and the priestess’ bidding.” 15
This said, she is silent—paleness overspreads her
face. Yet Anna does not dream that these strange rites
are a veil to hide her sister’s death: she cannot grasp
frenzy like that; she fears no darker day than that of their
mourning for Sychæus, and so she does her bidding. 20
But the queen, when the pile had been built in the heart
of the palace to the open sky, a giant mass of pine-wood and
hewn oak, spans the place with garlands, and crowns it
with funeral boughs. High above it on the couch she sets
the doffed apparel, and the sword that had been left, and 25
the image of the false lover, knowing too well what was
to come. Altars rise here and there; the priestess, with
hair dishevelled, thunders out the roll of three hundred
gods, Erebus and Chaos, and Hecate[180] with her triple form—the
three faces borne by maiden Dian. See! she has 30
sprinkled water, brought, so she feigns, from Avernus’
spring, and she is getting green downy herbs, cropped by
moonlight with brazen shears, whose sap is the milk of
deadly poison, and the love-charm, torn from the brow
of the new-born foal, ere the mother could snatch it. 35
Dido herself, with salted cake and pure hands at the altars,
one foot unshod, her vest ungirdled, makes her dying
appeal to the gods and to the stars who share Fate’s
counsels, begging the powers, if any there be, that watch,
righteous and unforgetting, over ill-yoked lovers, to hear
her prayer.
Public-domain text, read in full here on John Shaqi.
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