The Nest Builder: A NovelHale, Beatrice Forbes-Robertson
General
The Nest Builder: A Novel
Hale, Beatrice Forbes-Robertson
Marriage -- Fiction
This spurred him to reassurance. “Of course not,” he responded, quickly
summoning new possibilities of delight. “Imagine it, you haven't even
seen my pictures yet.” They had left them, rolled, at Miss Mason's. “And
I want to paint you--really paint you--not just silly little sketches
and heads, but a big thing that I can only do in a studio. Oh, darling,
think of a studio with you to sit to me! How I shall work!” His
imagination was fired; instantly he was ready to pack and leave.
But they had their three days more, in the golden light of the Indian
summer. Three more swims, in which Stefan could barely join for joy of
watching her long lines cutting the water in her close English bathing
dress. Three more evening walks along the shimmering sands. Three more
nights in their moon-haunted room within sound of the slow splash of the
waves. And, poignant with the sadness of a nearing change, these days
were to Mary the most exquisite of all.
Their journey to the city, on the little, gritty, perpetually stopping
train was made jocund by the lively anticipations of Stefan, who was in
a mood of high confidence.
They had decided from the first to try their fortunes in New York that
winter; not to return to Paris till they had established a sure market
for Stefan's work. He had halcyon plans. Masterpieces were to be painted
under the inspiration of Mary's presence. His success in the Beaux Arts
would be an Open Sesame to the dealers, and they would at once become
prosperous,--for he had the exaggerated continental idea of American
prices. In the spring they would return to Paris, so that Mary should
see it first at its most beautiful. There they would have a studio,
making it their center, but they would also travel.
“Spain, Italy, Greece, Mary--we will see all the world's masterpieces
together,” he jubilated. “You shall be my wander-bride.” And he sang
her little snatches of gay song, in French and Italian, thrumming an
imaginary guitar or making castanets of his fingers.
“I will paint you on the Acropolis, Mary, a new Pallas to guard the
Parthenon.” His imagination leapt from vista to vista of the future,
each opening to new delights. Mary's followed, lured, dazzled, a little
hesitant. Her own visions, unformulated though they were, seemed of
somewhat different stuff, but she saw he could not conceive them other
than his, and yielded her doubts happily.
At the Pennsylvania Station they took a taxicab, telling the driver
they wanted a hotel near Washington Square. The amount registered on the
meter gave Mary an apprehensive chill, but Stefan paid it carelessly.
A moment later he was in raptures, for, quite unexpectedly, they found
themselves in a French hotel.
Public-domain text, read in full here on John Shaqi.
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