The Presbyterian Church Stefan remembered as a whitewashed praying box, resounding to his father's high-pitched voice. It was filled with heat and flies from without in summer, and heat and steam from within in winter. The school, whitewashed again, he recalled as a succession of banging desks, flying paper pellets, and the drone of undigested lessons. Here the water bucket loomed as the alleviation in summer, or the red hot oblong of the open stove in winter time. Through all these scenes, by an egotistical trick of the brain, he saw himself moving, a small brown-haired boy, with olive skin and queer, greenish eyes, entirely alien, absolutely lonely, completely critical. He saw himself in too large, ill-chosen clothes, the butt of his playfellows. He saw the sidelong, interested glances of little girls change to curled lips and tossed heads at the grinning nudge of their boy companions. He saw the harassed eyes of an anaemic teacher stare uncomprehendingly at him over the pages of an exercise book filled with colored drawings of George III and the British flag, instead of a description of the battle of Bunker Hill. He remembered the hatred he had felt even then for the narrowness of the local patriotism which had prompted him to this revenge. As a result, he saw himself backed against the schoolhouse wall, facing with contempt a yelling, jumping tangle of boys who, from a safe distance, called upon the “traitor” and the “Dago” to come and be licked. He felt the rage mount in his head like a burning wave, saw a change in the eyes and faces of his foes, felt himself spring with a catlike leap, his lips tight above his teeth and his arms moving like clawed wheels, saw boys run yelling and himself darting between them down the road, to fall at last, a trembling, sobbing bundle of reaction, into the grassy ditch. In memory Stefan followed himself home. The word was used to denote the house in which he and his father lived. A portrait of his mother hung over the parlor stove. It was a chalk drawing from a photograph, crudely done, but beautiful by reason of the subject. The face was young and very round, the forehead beautifully low and broad under black waves of hair. The nose was short and proud, the chin small but square, the mouth gaily curving around little, even teeth. But the eyes were deep and somber; there was passion in them, and romance. Stefan had not seen that face for years, he barely remembered the original, but he could have drawn it now in every detail. If the house in which it hung could be called home at all, it was by virtue of that picture, the only thing of beauty in it.