Next day she received by the first post a cheque for two hundred dollars, with a formal typewritten note from Farraday, expressing pleasure, and a hope that the Household Publishing Company might receive other manuscripts from her for its consideration. Stefan was setting his pallette for a morning's work on the Danaë. She called to him rather constrainedly from the door where she had opened the letter. “Stefan, I've received a cheque for two hundred dollars for my story.” “That's splendid,” he answered cheerfully. “If I sell these sketches we shall be quite rich. We must move from this absurd place to a proper studio flat. Mary shall have a white bathroom, and a beautiful blue and gold bed. Also minions to set food before her. Tra-la-la,” and he hummed gaily. “I'm ready to begin, beloved,” he added. As Mary prepared for her sitting she could not subdue a slight feeling of irritation. Apparently she might never, even for a moment, enjoy the luxury of being a human being with ambitions like Stefan's own, but must remain ever pedestaled as his inspiration. She was irked, too, by his hopelessly unpractical attitude toward affairs. She would have enjoyed the friendly status of a partner as a wholesome complement to the ardors of marriage. She knew that her husband differed from the legendary bohemian in having a strictly upright code in money matters, but she wished it could be less visionary. He mentally oscillated between pauperism and riches. Let him fail to sell a picture and he offered to pawn his coat; but the picture sold, he aspired to hire a mansion. In a word, she began to see that he was incapable either of foresight or moderation. Could she alone, she wondered, supply the deficiency? That evening when they returned from dinner, which as a rare treat they had eaten in the café of their old hotel, they found McEwan waiting their arrival from a seat on the stairs. “Here you are,” his hearty voice called to them as they labored up the last flight. “I was determined not to miss you. I wanted to pay my respects to the couple, and see how the paint-slinging was getting on.” Mary, knowing now that the Scotchman was not the slow-witted blunderer he had appeared on board ship, looked at him with sudden suspicion. Was she deceived, or did there lurk a teasing gleam in those blue eyes? Had McEwan used the outrageous phrase “paint-slinging” with malice aforethought? She could not be sure. But if his object was to get a rise from Stefan, he was only partly successful. True, her husband snorted with disgust, but, at a touch from her and a whispered “Be nice to him,” restrained himself sufficiently to invite McEwan in with a frigid show of politeness. But once inside, and the candles lighted, Stefan leant glumly against the mantelpiece with his hands in his pockets, evidently determined to leave their visitor entirely on Mary's hands.