English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
‘How can I tell? I’ve got no reason for thinkin’ it, but how can I
tell? No, I believe it’s nothin’ but her self-will an’ the fancies
she’s got into her ‘ead. Both her an’ Bob, there’s no doin’ nothin’
with them. Bob, he’s that wasteful with his money; an’ now he talks
about goin’ an’ gettin’ a room in another ’ouse, when he might just as
well make all the savin’ he can. But no, that ain’t his idea, nor yet
his sister’s. I suppose it’s their mother as they take after, though
their father he won’t own to it, an’ I don’t blame him for not speakin’
ill of her as is gone. I should be that wretched if I thought my own
was goin’ to turn out the same. But there’s John, he ain’t a wasteful
man; no one can’t say it of him. He’s got his fancies, but they’ve
never made him selfish to others, as well you know, Sidney. He’s been
the best ’usband to me as ever a poor woman had, an’ I’ll say it with
my last breath.’
She cried pitifully for a few moments. Sidney, mastering his own
wretchedness, which he could not altogether conceal, made attempts to
strengthen her.
‘When things are at the worst they begin to mend,’ he said. ‘It can’t
be much longer before he gets work. And look here, Mrs. Hewett, I won’t
hear a word against it; you must and shall let me lend you something to
go on with!’
‘I dursn’t, I dursn’t, Sidney! John won’t have it. He’s always
a-saying: “Once begin that, an’ it’s all up; you never earn no more of
your own.” It’s one of his fancies, an’ you know it is. You’ll only
make trouble, Sidney.’
‘Well, all I can say is, he’s an unreasonable and selfish man!’
‘No, no; John ain’t selfish! Never say that! It’s only his fancies,
Sidney.’
‘Well, there’s one trouble you’d better get rid of, at all events. Let
Clara go to Mrs. Tubbs. You’ll never have any peace till she does, I
can see that. Why shouldn’t she go, after all? She’s seventeen; if she
can’t respect herself now, she never will, and there’s no help for it.
Tell John to let her go.’
There was bitterness in the tone with which he gave this advice; he
threw out his hands impatiently, and then flung himself back, so that
the cranky chair creaked and tottered.
Public-domain text, read in full here on John Shaqi.
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