English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
The manager decided to make no public announcement of what had happened
before the hour came for drawing up the curtain. A scrappy rehearsal
for the benefit of Grace Danver and the two or three other ladies who
were affected by the necessary rearrangement went on until the last
possible moment, then Mr. Peel presented himself before the drop and
made a little speech. The gallery was fall of mill-hands; in the pit
was a sprinkling of people; the circles and boxes presented half a
dozen occupants. ‘Sudden domestic calamity . . . enforced absence of
the lady who played . . . efficient substitution . . . deep regret, but
confidence in the friendly feeling of audience on this last evening.’
They growled, but in the end applauded the actor-manager, who had
succeeded in delicately hinting that, after all, the great attraction
was still present in his own person. The play went very much as usual,
but those behind the scenes were not allowed to forget that Mr. Peel
was in a furious temper: the ladies noticed with satisfaction that more
than once he glared ominously at Miss Danver, who naturally could not
aid him to make his ‘points’ as Miss Walcott had accustomed herself to
do. At his final exit, it was observed that he shrugged his shoulders
and muttered a few oaths.
Clara had her familiar part; it was a poor one from every point of
view, and the imbecility of the words she had to speak affected her
to-night with exceptional irritation. Clara always acted in ill-humour.
She despised her audience for their acceptance of the playwright’s
claptrap; she felt that she could do better than any of the actresses
entrusted with the more important characters; her imagination was for
ever turning to powerful scenes in plays she had studied privately, and
despair possessed her at the thought that she would perhaps never have
a chance of putting forth her strength. To-night her mood was one of
sullen carelessness; she did little more than ‘walk through’ her part,
feeling a pleasure in thus insulting the house. One scrap of dialogue
she had with Grace, and her eyes answered with a flash of hatred to the
arrogance of the other’s regard. At another point she all but missed
her cue, for her thoughts were busy with that letter to which she had
replied this afternoon. Mr. Peel looked at her savagely, and she met
his silent rebuke with an air of indifference. After that the manager
appeared to pay peculiar attention to her as often as they were
together before the footlights. It was not the first time that Mr. Peel
had allowed her to see that she was an object of interest to him.
Public-domain text, read in full here on John Shaqi.
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