English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
There was an after-piece, but Clara was not engaged in it. When, at the
fall of the curtain on the melodrama, she went to the shabby
dressing-room which she shared with two companions, a message delivered
by the call boy bade her repair as soon as possible to the manager’s
office. What might this mean? She was startled on the instant, but
speedily recovered her self-control; most likely she was to receive a
rating—let it come! Without unusual hurry, she washed, changed her
dress, and obeyed the summons.
Mr. Peel was still a young man, of tall and robust stature, sanguine,
with much sham refinement in his manner; he prided himself on the
civility with which he behaved to all who had business relations with
him, but every now and then the veneer gave an awkward crack, and, as
in his debate with Miss Walcott, the man himself was discovered to be
of coarse grain. His aspect was singular when, on Clara’s entrance into
the private room, he laid down his cigarette and scrutinised her. There
was a fiery hue on his visage, and the scowl of his black eyebrows had
a peculiar ugliness.
‘Miss Vale,’ he began, after hesitation, ‘do you consider that you
played your part this evening with the conscientiousness that may
fairly be expected of you?’
‘Perhaps not,’ replied the girl, averting her eyes, and resting her
hand on the table.
‘And may I ask _why_ not?’
‘I didn’t feel in the humour. The house saw no difference.’
‘Indeed? The house saw no difference? Do you mean to imply that you
always play badly?’
‘I mean that the part isn’t worth any attention—even if they were able
to judge.’
There was a perfection of insolence in her tone that in itself spoke
strongly for the abilities she could display if occasion offered.
‘This is rather an offhand way of treating the subject, madam,’ cried
Mr. Peel. ‘If you disparage our audiences, I beg you to observe that it
is much the same thing as telling me that my own successes are
worthless!’
‘I intended nothing of the kind.’
‘Perhaps not.’ He thrust his hands into his pockets, and looked down at
his boots for an instant. ‘So you are discontented with your part?’
‘It’s only natural that I should be.’
‘I presume you think yourself equal to Juliet, or perhaps Lady
Macbeth?’
‘I could play either a good deal better than most women do.’
The manager laughed, by no means ill-humouredly.
‘I’m sorry I can’t bring you out in Shakespeare just at present, Miss
Vale; but—should you think it a condescension to play Laura Denton?’
This was Miss Walcott’s part, now Grace Danver’s. Clara looked at him
with mistrust; her breath did not come quite naturally.
‘How long would it take you, do you think,’ pursued the other, ‘to get
the words?’
‘An hour or two; I all but know them.’
The manager took a few paces this way and that.
‘We go on to Bolton to-morrow morning. Could you undertake to be
perfect for the afternoon rehearsal?’
‘Yes.’
Public-domain text, read in full here on John Shaqi.
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