English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
‘Why ain’t you at work?’ she added. ‘Does Mrs. Pennyloaf Hewett know
how you spend your time?’
‘Hasn’t your husband taught you to mind your own business?’
Clem took the retort good-humouredly, and they walked on conversing.
Not altogether at his ease thus companioned, Bob turned out of the main
street, and presently they came within sight of the British Museum.
‘Ever been in that place?’ Clem asked.
‘Of course I have,’ he replied, with his air of superiority.
‘I haven’t. Is there anything to pay? Let’s go in for half an hour.’
It was an odd freak, but Bob began to have a pleasure in this renewal
of intimacy; he wished he had been wearing his best suit. Years ago his
father had brought him on a public holiday to the Museum, and his
interest was chiefly excited by the collection of the Royal Seals. To
that quarter he first led his companion, and thence directed her
towards objects more likely to supply her with amusement; he talked
freely, and was himself surprised at the show of information his memory
allowed him to make—desperately vague and often ludicrously wide of the
mark, but still a something of knowledge, retained from all sorts of
chance encounters by his capable mind. Had the British Museum been open
to visitors in the hours of the evening, or on Sundays, Bob Hewitt
would possibly have been employing his leisure nowadays in more
profitable pursuits. Possibly; one cannot say more than that; for the
world to which he belonged is above all a world of frustration, and
only the one man in half a million has fate for his friend.
Much Clem cared for antiquities; when she had wearied herself in
pretending interest, a seat in an unvisited corner gave her an
opportunity for more congenial dialogue.
‘How’s Mrs. Pennyloaf?’ she asked, with a smile of malice.
‘How’s Mr. What’s-his-name Snowdon?’ was the reply.
‘My husband’s a gentleman. Good thing for me I had the sense to wait.’
‘And for me too, I dare say.’
‘Why ain’t you at work? Got the sack?’
‘I can take a day off if I like, can’t I?’
‘And you’ll go ’ome and tell your wife as you’ve been working. I know
what you men are. What ‘ud Mrs. Pennyloaf say if she knew you was here
with me? You daren’t tell her; you daren’t!’
‘I’m not doing any harm as I know of. I shall tell her if I choose, and
if I choose I shan’t. I don’t ask _her_ what I’m to do.’
‘I dare say. And how does that mother of hers get on? And her brother
at the public? Nice relations for Mr. Bob Hewett. Do they come to tea
on a Sunday?’
Bob glared at her, and Clem laughed, showing all her teeth. From this
exchange of pleasantries the talk passed to various subjects—the
affairs of Jack Bartley and his precious wife, changes in Clerkenwell
Close, then to Clem’s own circumstances; she threw out hints of
brilliant things in store for her.
‘Do you come here often?’ she asked at length.
‘Can’t say I do.’
‘Thought p’r’aps you brought Mrs. Pennyloaf. When’ll you be here
again?’
Public-domain text, read in full here on John Shaqi.
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