English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
In a short time Pennyloaf began to be aware of peculiarities of
behaviour in her husband for which she could not account. Though there
appeared no necessity for the step, he insisted on their once more
seeking new lodgings, and, before the removal, he destroyed all his
medals and moulds.
‘What’s that for, Bob?’ Pennyloaf inquired.
‘I’ll tell you, and mind you hold your tongue about it. Somebody’s been
saying as these things might get me into trouble. Just you be careful
not to mention to people that I used to make these kind of things.’
‘But why should it get you into trouble?’
‘Mind what I tell you, and don’t ask questions. You’re always too ready
at talking.’
His absences of an evening were nothing new, but his manner on
returning was such as Pennyloaf had never seen in him. He appeared to
be suffering from some intense excitement; his hands were unsteady; he
showed the strangest nervousness if there were any unusual sounds in
the house. Then he certainly obtained money of which his wife did not
know the source; he bought new articles of clothing, and in explanation
said that he had won bets. Pennyloaf remarked these things with
uneasiness; she had a fear during her lonely evenings for which she
could give no reason. Poor slowwitted mortal though she was, a devoted
fidelity attached her to her husband, and quickened wonderfully her
apprehension in everything that concerned him.
‘Miss Snowdon came to-day, Bob,’ she had said, about a week after his
order with regard to Jane.
‘Oh, she did? And did you tell her she’d better keep away?’
‘Yes,’ was the dispirited answer.
‘Glad to hear it.’
As for Jack Bartley, he never showed himself at the new lodgings.
Bob shortly became less regular in his attendance at the workshop. An
occasional Monday he had, to be sure, been in the habit of allowing
himself, but as the winter wore on he was more than once found straying
about the streets in midweek. One morning towards the end of November,
as he strolled along High Holborn, a hand checked his progress; he gave
almost a leap, and turned a face of terror upon the person who stopped
him. It was Clem—Mrs. Snowdon. They had, of course, met casually since
Bob’s marriage, and in progress of time the ferocious glances they were
wont to exchange had softened into a grin of half-friendly recognition;
Clem’s behaviour at present was an unexpected revival of familiarity.
When he had got over his shock Bob felt surprised, and expressed the
feeling in a—‘Well, what have _you_ got to say for yourself?’
‘You jumped as if I’d stuck a pin in you,’ replied Clem. ‘Did you think
it was a copper?’
Bob looked at her with a surly smile. Though no one could have mistaken
the class she belonged to, Clem was dressed in a way which made her
companionship with Bob in his workman’s clothing somewhat incongruous;
she wore a heavily trimmed brown hat, a long velveteen jacket, and
carried a little bag of imitation fur.
Public-domain text, read in full here on John Shaqi.
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