English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
Funeral guests were beginning to assemble. On arriving, they were
conducted first of all into the front-room on the ground floor, the
Peckovers’ parlour. It was richly furnished. In the centre stood a
round table, which left small space for moving about, and was at
present covered with refreshments. A polished sideboard supported a row
of dessert-plates propped on their edges, and a number of glass
vessels, probably meant for ornament alone, as they could not possibly
have been put to any use. A low cupboard in a recess was surmounted by
a frosted cardboard model of St. Paul’s under a glass case, behind
which was reared an oval tray painted with flowers. Over the
mantel-piece was the regulation mirror, its gilt frame enveloped in
coarse yellow gauze; the mantel-piece itself bore a ‘wealth’ of
embellishments in glass and crockery. On each side of it hung a framed
silhouette, portraits of ancestors. Other pictures there were many, the
most impressive being an ancient oil-painting, of which the canvas
bulged forth from the frame; the subject appeared to be a ship, but was
just as likely a view of the Alps. Several German prints conveyed
instruction as well as delight; one represented the trial of Strafford
in Westminster Hall; another, the trial of William Lord Russell, at the
Old Bailey. There was also a group of engraved portraits, the Royal
Family of England early in the reign of Queen Victoria; and finally,
‘The Destruction of Nineveh,’ by John Martin. Along the window-sill
were disposed flower-pots containing artificial plants; one or other
was always being knocked down by the curtains or blinds.
Each guest having taken a quaff of ale or spirits or what was called
wine, with perhaps a mouthful of more solid sustenance, was then led
down into the back-kitchen to view the coffin and the corpse. I mention
the coffin first, because in everyone’s view this was the main point of
interest. Could Mrs. Peckover have buried the old woman in an
orange-crate, she would gladly have done so for the saving of expense;
but with relatives and neighbours to consider, she drew a great deal of
virtue out of necessity, and dealt so very handsomely with the
undertaker, that this burial would be the talk of the Close for some
weeks. The coffin was inspected inside and out, was admired and
appraised, Mrs. Peckover being at hand to check the estimates. At the
same time every most revolting detail of the dead woman’s last illness
was related and discussed and mused over and exclaimed upon. ‘A lovely
corpse, considerin’ her years,’ was the general opinion. Then all went
upstairs again, and once more refreshed themselves. The house smelt
like a bar-room.
‘Everythink most respectable, I’m sure!’ remarked the female mourners
to each other, as they crowded together in the parlour.
Public-domain text, read in full here on John Shaqi.
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