English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
Mrs. Peckover was not wont to be gossipy. She became so at present,
partly in consequence of the stimulants she had taken to support her
through a trying ceremony, partly as a means of obtaining time to
reflect. Jane’s unlucky illness made an especial difficulty in her
calculations. She felt that the longer she delayed mention of the fact,
the more likely was she to excite suspicion; on the other hand, she
could not devise the suitable terms in which to reveal it. The steady
gaze of the old man was disconcerting. Not that he searched her face
with a cunning scrutiny, such as her own eyes expressed; she would have
found that less troublesome, as being familiar. The anxiety, the
troubled anticipation, which her words had aroused in him, were wholly
free from shadow of ignoble motive; he was pained, and the frequent
turning away of his look betrayed that part of the feeling was caused
by observation of the woman herself, but every movement visible on his
features was subdued by patience and mildness. Suffering was a life’s
habit with him, and its fruit in this instance that which (spite of
moral commonplace) it least often bears—self-conquest.
‘You haven’t told me yet,’ he said, with quiet disregard of her
irrelevancies, ‘whether or not her father’s name was Joseph Snowdon.’
‘There’s no call to hide it. That was his name. I’ve got letters of his
writin’. “J. J. Snowdon” stands at the end, plain enough. And he was
your son, was he?’
‘He was. But have you any reason to think he’s dead?’
‘Dead! I never heard as he was. But then I never heard as he was
livin’, neither. When his wife went, poor thing—an’ it was a chill on
the liver, they said; it took her very sudden—he says to me, “Mrs.
Peckover,” he says, “I know you for a motherly woman”—just like
that—see?—“I know you for a motherly woman,” he says, “an’ the idea I
have in my ’ed is as I should like to leave Janey in your care,
’cause,” he says, “I’ve got work in Birmingham, an’ I don’t see how I’m
to take her with me. Understand me?” he says. “Oh!” I says—not feelin’
quite sure what I’d ought to do—see? “Oh!” I says. “Yes,” he says; “an’
between you an’ me,” he says, “there won’t be no misunderstanding. If
you’ll keep Janey with you”—an’ she was goin’ to school at the time,
’cause she went to the same as my own Clem—that’s
Clemintiner—understand?—“if you’ll keep Janey with you,” he says, “for
a year, or maybe two years, or maybe three years—’cause that depends on
cirkinstances”—understand?—“I’m ready,” he says, “to pay you what it’s
right that pay I should, an’ I’m sure,” he says, “as we shouldn’t
misunderstand one another.” Well, of course I had my own girl to bring
up, an’ my own son to look after too. A nice sort o’ son; just when he
was beginnin’ to do well, an’ ought to a paid me back for all the
expense I was at in puttin’ him to a business, what must he do but take
his ’ook to Australia.’
Her scrutiny discerned something in the listener’s face which led her
to ask:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account