English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
Jane hastened from the kitchen. Clem yelled to her to close the door,
and she had no choice but to obey. In the dark passage outside there
was darkness that might be felt. The child all but fainted with the
sickness of horror as she turned the handle of the other door and began
to grope her way. She knew exactly where the coffin was; she knew that
to avoid touching it in the diminutive room was all but impossible. And
touch it she did. Her anguish uttered itself, not in a mere sound of
terror, but in a broken word or two of a prayer she knew by heart,
including a name which sounded like a charm against evil. She had
reached the mantel-piece; oh, she could not, could not find the
matches! Yes, at last her hand closed on them. A blind rush, and she
was out again in the passage. She re-entered the front-kitchen with
limbs that quivered, with the sound of dreadful voices ringing about
her, and blankness before her eyes.
Clem laughed heartily, then finished her beer in a long, enjoyable
pull. Her appetite was satisfied; the last trace of oleaginous matter
had disappeared from her plate, and now she toyed with little pieces of
bread lightly dipped into the mustard-pot. These _bonnes bouches_ put
her into excellent humour; presently she crossed her arms and leaned
back. There was no denying that Clem was handsome; at sixteen she had
all her charms in apparent maturity, and they were of the coarsely
magnificent order. Her forehead was low and of great width; her nose
was well shapen, and had large sensual apertures; her cruel lips may be
seen on certain fine antique busts; the neck that supported her heavy
head was splendidly rounded. In laughing, she became a model for an
artist, an embodiment of fierce life independent of morality. Her
health was probably less sound than it seemed to be; one would have
compared her, not to some piece of exuberant normal vegetation, but
rather to a rank, evilly-fostered growth. The putrid soil of that
nether world yields other forms besides the obviously blighted and
sapless.
‘Have you done any work for Mrs. Hewett to-day?’ she asked of her
victim, after sufficiently savouring the spectacle of terror.
‘Yes, miss; I did the front-room fireplace, an’ fetched fourteen of
coals, an’ washed out a few things.’
‘What did she give you?’
‘A penny, miss. I gave it to Mrs. Peckover before she went.’
‘Oh, you did? Well, look ’ere; you’ll just remember in future that all
you get from the lodgers belongs to me, an’ not to mother. It’s a new
arrangement, understand. An’ if you dare to give up a ‘apenny to
mother, I’ll lick you till you’re nothin’ but a bag o’ bones.
Understand?’
Public-domain text, read in full here on John Shaqi.
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