The “converter” is an enormous iron pot, lined with fire-brick, and
capable of holding thirty or forty thousand pounds of melted metal;
and it is swung on trunnions, so that it can be raised by an engine
to a vertical position, or lowered by machinery so as to pour its
contents out into a caldron. First the empty converter is inclined,
and fifteen thousand pounds of fluid iron streams down into the mouth
from an adjacent furnace where it has been melted. Then the engine
lifts the converter into an erect position, while an air-blast from
a blowing-engine is forced in at the bottom and through the liquid
iron, which has combined with it nearly half a ton of silicon and
carbon,--materials which, with the oxygen of the blast, create a heat
which leaves that of the already molten iron far behind. After some
time the converter is tipped forward, and fifteen hundred pounds more
of melted iron is added to that already in it. What the temperature
of this last is, may be judged from the fact that though ordinary
melted iron is dazzlingly bright, the melted metal in the converter
is so much brighter still, that the entering stream is dark brown by
comparison, presenting a contrast like that of chocolate poured into
a white cup. The contents are now no longer iron, but liquid steel,
ready for pouring into the caldron; and, looking from the front down
into the inclined vessel, we see the almost blindingly bright interior
dripping with the drainage of the metal running down its side, so that
the circular mouth, which is twenty-four inches in diameter, presents
the effect of a disk of molten metal of that size (were it possible to
maintain such a disk in a vertical position). In addition, we have the
actual stream of falling metal, which continues nearly a minute, and
presents an area of some square feet. The shower of scintillations from
this cataract of what seems at first “sunlike” brilliancy, and the area
whence such intense heat and light are for a brief time radiated, make
the spectacle a most striking one. (See Fig. 56.)
Public-domain text, read in full here on John Shaqi.
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