World War, 1914-1918 -- Hospitals, charities, etc.
When the Algerian was dead, he arranged the winding-sheet himself, in
his own fashion; then he lighted a cigarette, and set out in search of
Monet and Renaud.
For lack of space, we had no mortuary at the time in the ambulance.
Corpses were placed in the chapel of the cemetery while awaiting burial.
The military burial-ground had been established within the precincts of
the church, close by the civilian cemetery, and in a few weeks it had
invaded it like a cancer and threatened to devour it.
Rashid had thought of everything, and this was why he went in search of
Monet and Renaud, Catholic priests and ambulance orderlies of the second
class.
The meeting took place at the foot of the great staircase. Leaning over
the balustrade, I listened, and watched the colloquy of the rival gods.
Monet was thirty years old; he had fine, sombre eyes, and a stiff beard,
from which a pipe emerged. Renaud carried the thin face of a seminarist
a little on one side.
Monet and Renaud listened gravely, as became people who were deciding
in the Name of the Father. Rashid was pleading for his dead Arab with
supple eloquence, wrapped in a cloud of tobacco-smoke:
"We cannot leave the Arab's corpse under a wagon, in the storm. ... This
man died for France, at his post.... He had a right to all honours, and
it was hard enough as it was that he could not have the obsequies he
would surely have had in his own country."
Monet nodded approvingly, and Renaud, his mouth half open, was seeking
some formula.
It came, and this was it:
"Very well, Monsieur Rashid, take him into the church; that is God's
house for every one."
Rashid bowed with perfect deference, and went back to his dead.
Oh, he arranged everything very well! He had made this funeral a
personal matter. He was the family, the master of the ceremonies, almost
the priest.
The Algerian's body accordingly lay in the chapel, covered with the old
faded flag and a handful of chrysanthemums.
It was here the bearers came to take it, and carry it to CONSECRATED
GROUND, to lie among the other comrades.
Monet and Renaud were with us when it was lowered into the grave. Rashid
represented the dead man's kindred with much dignity. He held something
in his hand which he planted in the ground before going away. It was
that crescent of plain deal at the end of a stick which is still to be
seen in the midst of the worm-eaten crosses, in the shadow of the belfry
of L----.
There the same decay works towards the intermingling and the
reconciliation of ancient symbols and ancient dogmas.
XV
Nogue is courageous, but Norman; this gives to courage a special
form, which excludes neither reserve, nor prudence, nor moderation of
language.
On the day when he was wounded, he bore a preliminary operation with
perfect calm. Lifting up his shattered arm, I said:
"Are you suffering very much?" And he barely opened his lips to reply:
"Well... perhaps a bit."
Public-domain text, read in full here on John Shaqi.
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