It seems a pity that most of those who come from afar should see the
New Forest under its least gracious aspect. Unluckily the holiday time
is late summer, just when the full, heavy leafage takes on its most
monotonous green, dim and jaded after a dry season, gloomy in a wet
one; when flowers are few and birds are silent. In October the early
frosts will light up the woods with a rich medley of hues, ending in
the exquisite tracery of bare boughs. November has its special beauty
when the blue mists lurk in the depth of woodland ways, when the wet
bracken glows like a peat fire, and toadstools of weird and wondrous
colours adorn the damp wayside. And lovely are the rare days when the
moor lies sheeted with snow, and every spray is set with diamonds.
Presently in February comes a moment when a purple flush, like the
bloom on a ripe plum, steals over the massed woodland, though yet no
green leaf shows, and we know that life begins to stir. On the
sheltered banks snowdrops are piercing the dark mould, and soon the
early primroses peep out under last year's dead leaves, and daffodils
toss their golden heads in the pasture. So the unfolding goes on till
the "brief twenty days" of Faber's poem, when every tree is clad in
its own fresh raiment, no two alike, and scattered snow of bird cherry
or sloe and rosy flush of crab-apple lights up the dark thickets. Now
the primroses are poured out with a lavish hand, and the green glades
are turned into rivers of blue where the tall wild hyacinths stand
massed together in a sheet of amethyst and sapphire mingled; for their
changeful hue has the blue of mountains rather than of sky. But the
glory of spring flowers belongs to the coppices about Brockenhurst and
Beaulieu; Lyndhurst's proud woods have none.
THE HIGHROADS AND THE PLAYGROUNDS
To learn the Forest in its true inwardness we have left the king's
highway, we have crossed wide moors and marshy bottoms, we have
plunged through the greenwood and followed brooks by tangled, muddy
tracks. Now for a little we must accompany the ordinary tourist as
from his motor or his seat of vantage on a Bournemouth brake he
surveys the fringe of the Forest at his ease.
Public-domain text, read in full here on John Shaqi.
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