The New Forest: Its History and Its SceneryWise, John R. (John Richard)
History
The New Forest: Its History and Its Scenery
Wise, John R. (John Richard)
New Forest (England : Forest)
That there are defects in the church its greatest admirers would
admit—the poorness of the roof, the harshness produced by the
introduction of so much white, as also the bad colour of the bricks, and
a heaviness which hangs over the clerestory windows of the nave. But, on
the whole, it stands as a proof of the great advance during the last ten
years of Art, as a cheering sign, too, that, amidst all the failures of
Government, some taste and zeal are to be found amongst private persons.
There is nothing else of interest in the village. Once here busy scenes
must have taken place, when the King came to hunt with his retinue of
nobles; when down the street poured the train of bow-bearers, and
foresters, and keepers, clad in doublets of Lincoln green, holding the
dogs in leash. Then the woods rang with the notes of the bugle, and the
twang of the bow-string sounded as the bolt, or the good English
yard-shaft, brought down the quarry. Here, too, in the Civil War, were
quartered grim Puritan soldiers, and prayers took the place of
feasts.[113] Now, all is quiet. Nothing is to be seen but the Forest
inviting us into its green glades.
The people of Lyndhurst ought, I always think, to be the happiest and
most contented in England, for they possess a wider park and nobler
trees than even Royalty. You cannot leave the place in any direction
without going through the Forest. To the east lie the great woods of
Denny and Ashurst; and to the north rise Cutwalk and Emery Down, looking
across the vale to Minestead, and below them Kitt’s Hill, and the woods
stretching away towards Alum Green. On the extreme west Mark Ash, and
Gibb’s Hill, and Boldrewood, rise towering one after the other; whilst
to the south stretch Gretnam and the Great and Little Huntley Woods,
which the Millaford Brook skirts, here and there flowing out from the
darkness of the trees into the sunshine, the banks scooped into holes,
and held together only by the rope-work of roots.
These woods are always beautiful. Of their loveliness in spring we have
spoken; and if you come to them in summer, then the first purple of the
heather flaunts on every bank, and edges the sides of the gravel-pits
with a crimson fringe; and the streams now idle, suffer themselves to be
stopped up with water-lilies and white crowfoot, whilst the mock-myrtle
dips itself far into the water. Then is it you may know something of the
sweetness and the solitude of the woods, and wandering on, giving the
day up to profitable idleness, can attain to that mood of which
Wordsworth constantly sings, as teaching more than all books or years of
study.
[Illustration: The Woodman’s Path, Bramble Hill.]
CHAPTER IX.
MINESTEAD AND RUFUS’S STONE.
[Illustration: Oaks in Boldrewood.]
Public-domain text, read in full here on John Shaqi.
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