_This poem, that it may be better understood, I will divide more
subtly than the others preceding; and therefore I will make three
parts of it. The first part is a proem to the words following. The
second is the matter treated of. The third is, as it were, a handmaid
to the preceding words. The second begins here, “An Angel;” the third
here, “Dear Song, I know.” The first part is divided into four. In
the first, I say to whom I mean to speak of my lady, and wherefore I
will so speak. In the second, I say what she appears to myself to be
when I reflect upon her excellence, and what I would utter if I lost
not courage. In the third, I say what it is I purpose to speak so as
not to be impeded by faintheartedness. In the fourth, repeating to
whom I purpose speaking, I tell the reason why I speak to them. The
second begins here, “And I declare;” the third here, “Wherefore I will
not speak;” the fourth here, “With you alone.” Then, when I say “An
Angel,” I begin treating of this lady: and this part is divided into
two. In the first, I tell what is understood of her in heaven. In the
second, I tell what is understood of her on earth: here, “My lady is
desired.” This second part is divided into two; for, in the first, I
speak of her as regards the nobleness of her soul, relating some of
her virtues proceeding from her soul; in the second, I speak of her
as regards the nobleness of her body, narrating some of her beauties:
here, “Love saith concerning her.” This second part is divided into
two, for, in the first, I speak of certain beauties which belong to
the whole person; in the second, I speak of certain beauties which
belong to a distinct part of the person: here, “Whatever her sweet
eyes.” This second part is divided into two; for, in the one, I speak
of the eyes, which are the beginning of love; in the second, I speak
of the mouth, which is the end of love. And that every vicious thought
may be discarded herefrom, let the reader remember that it is above
written that the greeting of this lady, which was an act of her mouth,
was the goal of my desires, while I could receive it. Then, when I say,
“Dear Song, I know,” I add a stanza as it were handmaid to the others,
wherein I say what I desire from this my poem. And because this last
part is easy to understand, I trouble not myself with more divisions.
I say, indeed, that the further to open the meaning of this poem, more
minute divisions ought to be used; but nevertheless he who is not of
wit enough to understand it by these which have been already made is
welcome to leave it alone; for certes, I fear I have communicated its
sense to too many by these present divisions, if it so happened that
many should hear it._
Public-domain text, read in full here on John Shaqi.
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