England -- Fiction; Impostors and imposture -- Fiction; Women ex-convicts -- Fiction
How marvelously easy of accomplishment the act of personation had been!
At first sight Lady Janet had yielded to the fascination of the noble
and interesting face. No need to present the stolen letter; no need
to repeat the ready-made story. The old lady had put the letter aside
unopened, and had stopped the story at the first words. “Your face is
your introduction, my dear; your father can say nothing for you which
you have not already said for yourself.” There was the welcome which
established her firmly in her false identity at the outset. Thanks
to her own experience, and thanks to the “Journal” of events at
Rome, questions about her life in Canada and questions about Colonel
Roseberry’s illness found her ready with answers which (even if
suspicion had existed) would have disarmed suspicion on the spot. While
the true Grace was slowly and painfully winning her way back to life
on her bed in a German hospital, the false Grace was presented to
Lady Janet’s friends as the relative by marriage of the Mistress of
Mablethorpe House. From that time forward nothing had happened to rouse
in her the faintest suspicion that Grace Roseberry was other than a
dead-and-buried woman. So far as she now knew--so far as any one now
knew--she might live out her life in perfect security (if her conscience
would let her), respected, distinguished, and beloved, in the position
which she had usurped.
She rose abruptly from the table. The effort of her life was to shake
herself free of the remembrances which haunted her perpetually as they
were haunting her now. Her memory was her worst enemy; her one refuge
from it was in change of occupation and change of scene.
“May I go into the conservatory, Lady Janet?” she asked.
“Certainly, my dear.”
She bent her head to her protectress, looked for a moment with a steady,
compassionate attention at Horace Holmcroft, and, slowly crossing the
room, entered the winter-garden. The eyes of Horace followed her, as
long as she was in view, with a curious contradictory expression
of admiration and disapproval. When she had passed out of sight the
admiration vanished, but the disapproval remained. The face of the young
man contracted into a frown: he sat silent, with his fork in his hand,
playing absently with the fragments on his plate.
“Take some French pie, Horace,” said Lady Janet.
“No, thank you.”
“Some more chicken, then?”
“No more chicken.”
“Will nothing tempt you?”
“I will take some more wine, if you will allow me.”
He filled his glass (for the fifth or sixth time) with claret, and
emptied it sullenly at a draught. Lady Janet’s bright eyes watched him
with sardonic attention; Lady Janet’s ready tongue spoke out as freely
as usual what was passing in her mind at the time.
Public-domain text, read in full here on John Shaqi.
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