One was Burne Jones. I shall never forget how, as a youth in the Public
Library at Sydney, I turned over the leaves of a volume of etchings
and suddenly alighted on “Merlin and Vivien.” Something I knew of
Botticelli, Lippi and the rest, and I had brooded over their antique
mystery and charm; but here were all the mystery and the charm brought
down among us from the world where saints stand stiff and aureoled,
and angels walk tip-toe on lily cups. The fifteenth century artists
of Flanders and Venice and Florence introduced us into a frankly
supernatural world, and they delighted like children to scatter rich
fruits on the golden floors, and to stick peacocks’ feathers into
the bejewelled walls. It is a rarer and subtler art to suggest that
infinitely remote world while accepting the austere conditions of
our own earth. The pale ghosts of Puvis de Chavannes’ frescoes are
a far-off suggestion of this art; and one thinks too of the modern
magician who has brought before us the twinkling of Salome’s feet by
the red blood from the Baptist’s head, curdling amid the flowers; the
rich-robed daughters of Apollo among the olives; the mystic elephant
in solemn festival, gathering the lotus with his trunk as his feet
plash slowly in the clear waters of the sacred lake. But the shadowy
art of Puvis, the wayward and limited art of Gustave Moreau, come
short of the consistent and completely realised art which has been
attained by the painter who stands forth in the eyes of Europe as the
greatest imaginative artist of England. It is a new synthesis of the
world of nature and the world of dreams. The three women who dance in
the foreground of “The Mill” tell us of a country where human joys and
sorrows, hopes and fears, are set to a different measure, and sung in
unknown keys. A strange and troublous art, it seems sometimes,--like
the sinuous melodies of Renan, which seem to belong to some far-haunted
past, and yet contain the intimate secrets of our own hearts,--but it
fascinates and holds us as though music became visible before our eyes.
It opens before us a new and delightful pathway into the land of dreams.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account