Harry was a quick child; his senses were keen, though he was not
physically strong; he loved reading, and his favourite books were “Don
Quixote” and “Gulliver’s Travels.” He used to make rhymes with his
only and much-loved sister Lotte, and at the age of ten he wrote a
ghost-poem which his teachers considered a masterpiece. At the Lyceum
he worked well, at night as well as by day. Only once, at the public
ceremony at the end of a school year, he came to grief; he was reciting
a poem, when his eyes fell on a beautiful, fair-haired girl in the
audience; he hesitated, stammered, was silent, fell down fainting.
So early he revealed the extreme cerebral irritability of a nature
absorbed in dreams and taken captive by visions. It was not long after
this, at the age of seventeen, when his rich uncle at Hamburg was
trying in vain to set him forward on a commercial career, that Heine
met the woman who aroused his first and last profound passion, always
unsatisfied except in so far as it found exquisite embodiment in his
poems. He never mentioned her name; it was not till after his death
that the form standing behind this Maria, Zuleima, Evelina of so many
sweet, strange, or melancholy songs was known to be that of his cousin,
Amalie Heine.
With his uncle’s help he studied law at Bonn, Göttingen, and Berlin. At
Berlin he fell under the dominant influence of Hegel, the vanquisher
of the romantic school of which Schelling was the philosophic
representative. Heine afterwards referred to this period as that in
which he “herded swine with the Hegelians;” it is certain that Hegel
exerted great and permanent influence over him. At Berlin, in 1821,
appeared his first volume of poems, and then he began to take his true
place.
At this period he is described as a good-natured and gentle youth,
but reserved, not caring to show his emotions. He was of middle height
and slender, with rather long light brown hair (in childhood it was
red, and he was called “Rother Harry”) framing the pale and beardless
oval face, the bright, blue, short-sighted eyes, the Greek nose,
the high cheek bones, the large mouth, the full--half cynical, half
sensual--lips. He was not a typical German; like Goethe, he never
smoked; he disliked beer, and until he went to Paris he had never
tasted _sauerkraut_.
For some years he continued, chiefly at Göttingen, to study law. But
he had no liking and no capacity for jurisprudence, and his spasmodic
fits of application at such moments as he realized that it was not good
for him to depend on the generosity of his rich and kind-hearted uncle
Solomon, failed to carry him far. A new idea, a sunny day, the opening
of some flower-like _lied_, a pretty girl--and the Pandects were
forgotten.
Public-domain text, read in full here on John Shaqi.
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