The New Woman: An Original Comedy, in Four ActsGrundy, Sydney
General
The New Woman: An Original Comedy, in Four Acts
Grundy, Sydney
English drama -- 19th century; Man-woman relationships -- Drama; Married people -- Drama; Women -- Great Britain -- Drama
To an empty phrase must one sacrifice one's life? Must one stake
everything on the judgment of one's youth? By the decision of a moment
must one be bound for ever? Must one go through the world "with quiet
eyes unfaithful to the truth?" Does one not owe a duty to oneself?
There can be but one answer!
GERALD [_absently_].
Margery! [_MARGERY winces as if struck--quite serious now. Then with
energy._] But, Agnes, Margery is impossible! She's no companion to me!
I am all alone! Her very laughter grates upon me! There's no meaning
in it! It is the laughter of a tomboy, of a clown! And she will never
learn! She's hopeless, Agnes, hopeless! [_MARGERY drops back
horror-struck, but her face disappears only by degrees. MRS. SYLVESTER
lays her hand on him. Another pause. The curtains close._] What is one
to do? [_Rising._
MRS. SYLVESTER.
We are face to face with the problem! Let us confront it boldly.
Gerald, do you love me?
[_A thud behind the curtains. GERALD starts guiltily. Pause. They
stand looking at one another._
GERALD [_in a whisper_].
What was that? [_Goes up cautiously and draws curtains back,
discovering MARGERY stretched senseless on the floor._] Margery!
ACT III.
_A Fortnight Later._
SCENE.--_Drawing-room at LADY WARGRAVE'S. Main entrance C.,
Conservatory R. Entrance, L., to an inner room. Fireplace, R., up
stage, near which is LADY WARGRAVE'S chair, with the cushion of Act
I._
_The stage is discovered half-filled with Guests, who stand and sit in
groups, including COLONEL, CAPTAIN and MRS. SYLVESTER, and GERALD.
LADY WARGRAVE is receiving her guests. A buzz of general conversation;
and a band is heard playing in the inner room, loudly at first, but
softly after the picture is discovered._
SERVANT [_at entrance C._].
Miss Vivash and Mr. Pettigrew!
_Enter VICTORIA, followed leisurely by PERCY, a very young man who is
always smiling to himself, unconsciously._
VICTORIA [_going straight to LADY WARGRAVE and grasping her hand_].
Good evening, Lady Wargrave, I have taken the liberty of bringing a
friend whose name is no doubt known to you--Mr. Percy Pettigrew.
[_PERCY bows distantly, smiling._
LADY WARGRAVE.
Pettigrew, did you say?
PERCY.
Percy _Bysshe_ Pettigrew.
[_Smiling._
LADY WARGRAVE.
Of course! _two_ of your names are _quite_ well known to me; it is
only the surname that is unfamiliar.
PERCY [_smiling_].
Pettigrew!
[_Turns off._
GERALD.
One of my Oxford friends.
LADY WARGRAVE [_aside to him_].
One of those who are always at Oxford?
VICTORIA.
His "Supercilia" are quoted everywhere.
LADY WARGRAVE.
His----?
GERALD.
A column Percy does for "The Corset."
VICTORIA.
A newspaper devoted to our cause.
GERALD.
"The Corset" is Percy's organ.
LADY WARGRAVE.
Ah, his rattle!
SERVANT.
Dr. Bevan.
DR. BEVAN [_shakes hands with LADY WARGRAVE_].
I hope I am not late; but I was detained at the hospital. Most
interesting case, unhappily unfit for publication.
SERVANT.
Miss Bethune.
[_Exit SERVANT._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account