The New Woman: An Original Comedy, in Four ActsGrundy, Sydney
General
The New Woman: An Original Comedy, in Four Acts
Grundy, Sydney
English drama -- 19th century; Man-woman relationships -- Drama; Married people -- Drama; Women -- Great Britain -- Drama
Challenge or not, you _shall!_ It is ignoble to desert her so! You are
a coward to make love to me! If her love was unworthy, what is yours?
Is it for you to cast a stone at her? See! Read your letters!
[_Producing a packet._] Letters to me--love-letters! Letters to a
woman you didn't respect in her grief and persecuted in her
loneliness--a woman who would have none of you--who tells you to your
face you're not a man! Your love's an insult! take the thing away!
[_Turns off. Pause._
SYLVESTER.
Do you propose to send those to my wife?
MARGERY.
No! but I want to make you realize you need more mercy than you show
to her. These letters were written for my eye alone; to open them was
to promise secrecy.
SYLVESTER.
Why have you kept them, then?
MARGERY.
To give them back to you.
[_Gives him the packet. Another pause._
SYLVESTER.
Margery, everything you say and do makes it more hard to go away from
you.
MARGERY.
You're going, then?
SYLVESTER.
Your words leave me no choice.
MARGERY.
Where are you going? to her?
SYLVESTER.
I don't know yet. I don't know if I'm welcome.
[_Playing with the packet, mechanically._
MARGERY.
That rests with you. You say, she's been no wife to you; but have you
been a husband to her?
SYLVESTER.
Why do you take her part? She's injured you enough.
MARGERY.
Yes; she _has_ injured me; but now I know what it is to live without
love, and to want it, I can pardon her. Can't you? [_Goes to him and
gives him both her hands._] Forgive her, Captain Sylvester--freely as
I do you--give her the love that you have offered me--and you will
find your wife's a woman just as much as I am.
SYLVESTER.
Margery--I may call you "Margery?"
MARGERY.
I'm "Margery" to everybody now.
SYLVESTER.
If there were more women like you, there would be fewer men like me.
[_Exit, L._
MARGERY [_looks after him, then goes, R. front and looks again_].
He'll go back to his wife; and if she isn't happy, it's her fault.
[_Exit, R._
_Re-enter ARMSTRONG, showing out, C., LADY WARGRAVE and the COLONEL._
ARMSTRONG.
This way, my lady. I'll send Margery to you.
[_Exit ARMSTRONG, R._
COLONEL.
This must be put right, Caroline.
LADY WARGRAVE.
I mean to put it right.
COLONEL [_severely_].
A Cazenove living apart from his wife!
LADY WARGRAVE.
It is sad--very sad.
COLONEL.
More than that, Caroline--it's not respectable.
LADY WARGRAVE.
That doesn't trouble _you._
COLONEL.
It shocks me. The institution of marriage is the foundation of
society; and whatever tends to cast discredit on that holy "ordnance"
saps the moral fibre of the community.
LADY WARGRAVE.
Did you say, "ordnance?"
COLONEL.
I did say, "ordnance." It was a slip of the tongue.
LADY WARGRAVE.
You are not used to ordinances.
COLONEL.
What do you mean, Caroline? Wasn't I baptized--wasn't I confirmed?
LADY WARGRAVE.
There is another ceremony which, during a somewhat long career, you
have systematically avoided.
COLONEL.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account