The New York Obelisk: Cleopatra's Needle: With a Preliminary Sketch of the History, Erection, Uses, and Signification of Obelisks — John Shaqi
The New York Obelisk: Cleopatra's Needle: With a Preliminary Sketch of the History, Erection, Uses, and Signification of ObelisksMoldenke, Charles E.
History
The New York Obelisk: Cleopatra's Needle: With a Preliminary Sketch of the History, Erection, Uses, and Signification of Obelisks
Moldenke, Charles E.
Cleopatra's Needle (New York, N.Y.); Inscriptions, Egyptian
events the transportation by human hands of obelisks and other monoliths of
enormous size and weight without the most powerful appliances of modern
times is such a wonderful feat, that we cannot at present fully comprehend
it. All we know {17}for certain is the fact that those men of old have
succeeded, and therefore accomplished what we would regard as almost
impossible.
§3. The method employed by the Egyptians in the erection of obelisks has to
this day remained a profound mystery. Of course, just as with regard to the
quarrying and transporting them, many conjectures have been advanced which,
however plausible they may seem, give us no definite solution of this
problem. That the Egyptians must have possessed some mechanical means, with
which to lift these colossi into their exact place, cannot be disputed:
otherwise the time consumed in setting them up would have been equal to
that of quarrying them. They had undoubtedly some unknown facilities for
doing work of this kind, and being great mathematicians, they may have
constructed agents more powerful than those of the present day.
{18}[Illustration]
CHAPTER III
THE FORM, NAME, DIMENSIONS, INVENTION, MATERIAL, AND USE OF OBELISKS.
§1. Obelisks are monoliths, that is, they are made of _one_ piece of rock
only. Pieces set up in the form of an obelisk are never considered one. The
lofty shaft at Washington, D. C., cannot, therefore, be styled an obelisk.
In addition to being composed of one piece only, all obelisks are
quadrangular, the sides sloping gradually and perceptibly but right-angled
all the way to the top, where they are surmounted by a miniature pyramid or
trapezium. They were, as far as we know, commonly erected in pairs at the
entrance of the temples, evidently serving there in the capacity of
guardians. The stone was polished to a high state of perfection, and the
inscriptions added in intaglio-relievo by skilled stone-cutters under the
direction of scribes. Whether the figures of these inscriptions were filled
out with copper or gold, as some maintain, is extremely doubtful.
Public-domain text, read in full here on John Shaqi.
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