All those beautiful sounds and thoughts which Miss Cann conveys to him out of her charmed piano, the young artist straightway translates into forms; and knights in armour, with plume, and shield, and battle-axe; and splendid young noblemen with flowing ringlets, and bounteous plumes of feathers, and rapiers, and russet boots; and fierce banditti with crimson tights, doublets profusely illustrated with large brass buttons, and the dumpy basket-hilted claymores known to be the favourite weapon with which these whiskered ruffians do battle; wasp-waisted peasant girls, and young countesses with oh, such large eyes and the lips!—all these splendid forms of war and beauty crowd to the young draughtsman’s pencil, and cover letter-backs, copybooks, without end. If his hand strikes off some face peculiarly lovely, and to his taste, some fair vision that has shone on his imagination, some houri of a dancer, some bright young lady of fashion in an opera-box, whom he has seen, or fancied he has seen (for the youth is short-sighted, though he hardly as yet knows his misfortune)—if he has made some effort extraordinarily successful, our young Pygmalion hides away the masterpiece, and he paints the beauty with all his skill; the lips a bright carmine, the eyes a deep, deep cobalt, the cheeks a dazzling vermilion, the ringlets of a golden hue; and he worships this sweet creature of his in secret, fancies a history for her; a castle to storm, a tyrant usurper who keeps her imprisoned, and a prince in black ringlets and a spangled cloak, who scales the tower, who slays the tyrant, and then kneels gracefully at the princess’s feet, and says, “Lady, wilt thou be mine?”