The Newcomes: Memoirs of a Most Respectable FamilyThackeray, William Makepeace
General
The Newcomes: Memoirs of a Most Respectable Family
Thackeray, William Makepeace
Domestic fiction; Families -- England -- Fiction
the Haunt? It’s Wednesday night, you know, when all the boys go.” We
tap at a door in an old, old street in Soho: an old maid with a kind,
comical face opens the door, and nods friendly, and says, “How do, sir?
ain’t seen you this ever so long. How do, Mr. Noocom?” “Who’s here?”
“Most everybody’s here.” We pass by a little snug bar, in which a trim
elderly lady is seated by a great fire, on which boils an enormous
kettle; while two gentlemen are attacking a cold saddle of mutton and
West India pickles: hard by Mrs. Nokes the landlady’s elbow—with mutual
bows—we recognise Hickson, the sculptor, and Morgan, the intrepid Irish
chieftain, chief of the reporters of the _Morning Press_ newspaper. We
pass through a passage into a back room, and are received with a roar
of welcome from a crowd of men, almost invisible in the smoke.
“I am right glad to see thee, boy!” cries a cheery voice (that will
never troll a chorus more). “We spake anon of thy misfortune, gentle
youth! and that thy warriors of Assaye have charged the Academy in
vain. Mayhap thou frightenedst the courtly school with barbarous
visages of grisly war.—Pendennis, thou dost wear a thirsty look!
Resplendent swell! untwine thy choker white, and I will either stand a
glass of grog, or thou shalt pay the like for me, my lad, and tell us
of the fashionable world.” Thus spake the brave old Tom Sarjent,—also
one of the Press, one of the old boys: a good old scholar with a good
old library of books, who had taken his seat any time these forty years
by the chimney-fire in this old Haunt: where painters, sculptors, men
of letters, actors, used to congregate, passing pleasant hours in rough
kindly communion, and many a day seeing the sunrise lighting the rosy
street ere they parted, and Betsy put the useless lamp out and closed
the hospitable gates of the Haunt.
Public-domain text, read in full here on John Shaqi.
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