The time is not very long since, though to-day is so changed. As we think of it, the kind familiar faces rise up, and we hear the pleasant voices and singing. There are they met, the honest hearty companions. In the days when the Haunt was a haunt, stage-coaches were not yet quite over. Casinos were not invented: clubs were rather rare luxuries: there were sanded floors, triangular sawdust-boxes, pipes, and tavern parlours. Young Smith and Brown, from the Temple, did not go from chambers to dine at the Polyanthus, or the Megatherium, off potage à la Bisque, turbot au gratin, cotelettes a la What-do-you-call-’em, and a pint of St. Emilion; but ordered their beefsteak and pint of port from the “plump head-waiter at the Cock;” did not disdain the pit of the theatre; and for a supper a homely refection at the tavern. How delightful are the suppers in Charles Lamb to read of even now!—the cards—the punch—the candles to be snuffed—the social oysters—the modest cheer! Whoever snuffs a candle now? What man has a domestic supper whose dinner-hour is eight o’clock? Those little meetings, in the memory of many of us yet, are gone quite away into the past. Five-and-twenty years ago is a hundred years off—so much has our social life changed in those five lustres. James Boswell himself, were he to revisit London, would scarce venture to enter a tavern. He would find scarce a respectable companion to enter its doors with him. It is an institution as extinct as a hackney-coach. Many a grown man who peruses this historic page has never seen such a vehicle, and only heard of rum-punch as a drink which his ancestors used to tipple. Cheery old Tom Sarjent is surrounded at the Haunt by a dozen of kind boon companions. They toil all day at their avocations of art, or letters, or law, and here meet for a harmless night’s recreation and converse. They talk of literature, or politics, or pictures, or plays; socially banter one another over their cheap cups: sing brave old songs sometimes when they are especially jolly kindly ballads in praise of love and wine; famous maritime ditties in honour of Old England. I fancy I hear Jack Brent’s noble voice rolling out the sad, generous _refrain_ of “The Deserter,” “Then for that reason and for a season we will be merry before we go,” or Michael Percy’s clear tenor carolling the Irish chorus of “What’s that to any one, whether or no!” or Mark Wilder shouting his bottle-song of “Garryowen na gloria.” These songs were regarded with affection by the brave old frequenters of the Haunt. A gentleman’s property in a song was considered sacred. It was respectfully asked for: it was heard with the more pleasure for being old. Honest Tom Sarjent! how the times have changed since we saw thee! I believe the present chief of the reporters of the newspaper (which responsible office Tom filled) goes to Parliament in his brougham, and dines with the Ministers of the Crown.