The Newmarket, Bury, Thetford and Cromer Road: Sport and history on an East Anglian turnpikeHarper, Charles G. (Charles George)
History
The Newmarket, Bury, Thetford and Cromer Road: Sport and history on an East Anglian turnpike
Harper, Charles G. (Charles George)
England -- Description and travel; England -- Social life and customs
The “Angel,” a dyspeptic and gloomy-looking house of huge proportions
and sad-coloured brick, faces this wide, empty space, and adds a quite
unnecessary emphasis to its dulness. There was an inn of the same name
here so early as 1452, neighboured by others, but in 1779 the whole of
the buildings on this side were removed and the present row erected. No
one would suspect from the commonplace exterior of the “Angel” that its
great cellars are of mediæval date, and comprised of groined crypts; but
they do not redeem the general aspect of the building, and we do not
look upon the “Angel” with interest because it figures in the _Pickwick
Papers_, but only in surprise that Dickens should have thought it worth
mention. He did so mention it because the “Angel” was the principal
coaching-inn of the town. There was—indeed, there still is—the “Suffolk”
hotel, but to and from the “Angel” came and went the Norwich Mail and
the best of the post-chaise traffic. In the days when “every gentleman
visited London at least once in his lifetime,” the house may by dint of
much business have worn a cheery look; but now that almost every one
comes up to town by rail many times a year, the place has the air of a
public institution of the hospital or infirmary order. Looking upon this
scene, the proverbial slowness of the Bury coaches recurs to the
stranger, who remembers that old story of a pedestrian walking from
Newmarket and overtaking—not being overtaken by—the stage. The coachman
offered him a lift. “No, thank you,” said he; “I’m in a hurry to-day,”
and soon disappeared in advance of the lumbering conveyance.
[Illustration: “ANGEL HILL,” BURY ST. EDMUNDS.]
One never thoroughly realises the full meaning of the word “respectable”
until the acquaintance of Bury St. Edmunds is made. Respectability
squats heavily upon the place and is incarnated on every flat-faced
house-front, twinkles from every matutinally polished brass
door-knocker, is seen down every dull street vista, and dogs your
footsteps into the Abbey grounds, where the respectable burgesses lie in
their respectable graves, in hopes of a Heaven planned on respectable
and exclusive lines. Even the old abbots and monks are robbed of their
historic glamour and are respectable likewise—and by that same token
commonplace. It is a respectable landscape, too, upon whose flat suave
fields you look from the higher streets of the town; flat and
featureless, good for the husbandman, but, lacking even the dropsical,
water-logged interest of the Fens, the very negation of the picturesque.
In Defoe’s time it was equally respectable, as he naïvely tells us. “The
beauty of this town,” he says, “consists in the number of gentry who
dwell in and near it, the polite conversation among them, the affluence
and plenty they live in, and the pleasant country they have to go abroad
in.” How exquisitely fragrant of snobbishness!
XXX
Public-domain text, read in full here on John Shaqi.
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