The Next Step in Religion: An Essay toward the Coming RenaissanceSellars, Roy Wood
Religion
The Next Step in Religion: An Essay toward the Coming Renaissance
Sellars, Roy Wood
Christianity; Humanism -- History -- 20th century; Religion
In our admiration for Greek mythology, we must not forget that other
races and nations wove stories to account for human life and to
interpret those features of nature which aroused their fear, love or
wonder. Our own Northern mythology had its beauties and wild reaches
of imagination which made it, in certain regards, a fit rival of that
of the Mediterranean. The story of Balder, the joyous and kindly god
whom all things loved, is evidently the mythical form of the passing of
summer sunshine and the coming of winter with its darkness and gloom.
We must always remember that our remote ancestors interpreted their
world concretely, {22} and mainly in terms of human life, because they
had no abstract ideas at their command. Psychical and physical
concepts were interfused in their minds: prose and poetry, fact and
figure combined together without that feeling of disharmony which is so
distinctive of the modern mind. Nature welcomed personification, and
to read the conflict of light and darkness, warmth and cold, in terms
of human struggles and hates was the inevitable course for human
thought to take. The simple grandeur of many of these tales of the
gods comes from the poignancy of life itself. Those events in nature
which affected man intensely received an intense meaning. We, who have
conquered nature in large measure, or can so predict her convulsions as
to escape the first shock of her rude forces; we, who think of her
processes as ruled by impersonal laws, cannot appreciate the directness
and unveiled immediacy of those ancient dramas which man saw around
him. Darkness is for us the absence of light, not a mysterious and
threatening presence which fills the sky while the kindly god of day
sleeps. Light consists of vibrations in ether emitted from a
tremendously hot, material substance instead of being a beneficent
force under the control of a radiant being.
But other races than the Aryan were less inclined to embellish and
humanize nature. The imagination worked less freely to add to the
visible aspect of things. The consequence of this thinness of reaction
was, that the mind rested in things as they appeared, although it could
not desist from assigning to them capacities and powers which were
superhuman. Nature was at least instinct with will, even while this
vaguely stirring will did not clothe itself in definite forms. Man
believed {23} himself surrounded by forces which affected him for good
and evil; he felt himself immersed in an ocean of life, yet he could
not discern any forms back of that which he saw with his bodily eyes.
Perhaps these other races had less of the dramatic in their
composition, less of that genial delight in far-fetched analogies and
the free play of ideas.
Public-domain text, read in full here on John Shaqi.
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