In Germany the two poems known as the _Klage_ and _Hurnen Seyfrid_ are the most noteworthy additional records of the Nibelungen saga, as offering in part at least independent material. The _Klage_ is a poem of over four thousand lines in rhymed couplets, about half of it being an account of the mourning of Etzel, Dietrich, and Hildebrand as they seek out the slain and prepare them for burial, the other half telling of the bringing of the news to Bechlaren, Passau, and Worms. The poem was written evidently very soon after the Nibelungenlied, the substance of which was familiar to the author, though he also draws in part from other sources. Compared with the Nibelungenlied it possesses but little poetic merit and is written with distinctly Christian sentiment which is out of harmony with the ground-tone of the Germanic tragedy. The _Hurnen Seyfrid_ is a poem of 179 four-lined strophes which is preserved only in a print of the sixteenth century, but at least a portion of whose substance reaches back in its original form to a period preceding the composition of the Nibelungenlied. It is evidently, as we have it, formed by the union of two earlier separate poems, which are indeed to a certain extent contradictory of each other. The first tells of the boyhood of Seyfrid (Siegfried) and his apprenticeship to the smith; how he slew many dragons, burned them, and smeared over his body with the resulting fluid horny substance (hence his name _hurnen_), which made him invulnerable; how he further found the hoard of the dwarf Nybling, and by service to King Gybich won the latter's daughter for his wife. The second part tells how King Gybich reigned at Worms. He has three sons, Gunther, Hagen, Gyrnot, and one daughter, Kriemhild. The latter is borne off by a dragon, but finally rescued by Seyfrid, to whom she is given in marriage. The three brothers are jealous of the might and fame of Seyfrid, and after eight years Hagen slays him beside a cool spring in the Ottenwald.