He lay silent, waiting; and his resignation meant that he knew death
would come before that for which he waited. Silence, that was the
key-note of the room. The girl was silent, her eyes dark with grief; yet
they were not fixed upon her father. It came thrilling home to Byrne
that her sorrow was not entirely for her dying parent, for she looked
beyond him rather than at him. Was she, too, waiting? Was that what gave
her the touch of sad gravity, the mystery like the mystery of distance?
And Buck Daniels. He, also, said nothing. He rolled cigarettes one after
another with amazing dexterity and smoked them with half a dozen Titanic
breaths. His was a single-track mind. He loved the girl, and he bore the
sign of his love on his face. He wanted her desperately; it was a hunger
like that of Tantalus, too keen to be ever satisfied. Yet, still more
than he looked at the girl, he, also, stared into the distance. He,
also, was waiting!
It was the deep suspense of Cumberland which made him so silently alert.
He was as intensely alive as the receiver of a wireless apparatus; he
gathered information from the empty air.
So that Byrne was hardly surprised, when, in the midst of that grim
silence, the old man raised a rigid forefinger of warning. Kate and
Daniels stiffened in their chairs and Byrne felt his flesh creep. Of
course it was nothing. The wind, which had shaken the house with several
strong gusts before dinner, had now grown stronger and blew with
steadily increasing violence; perhaps the sad old man had been attracted
by the mournful chorus and imagined some sound he knew within it.
But now once more the finger was raised, the arm extended, shaking
violently, and Joe Cumberland turned upon them a glance which flashed
with a delirious and unhealthy joy.
"Listen!" he cried. "Again!"
"What?" asked Kate.
"I hear them, I tell you."
Her lips blanched, and parted to speak, but she checked the impulse and
looked swiftly about the room with what seemed to Byrne an appeal for
help. As for Buck Daniels, he changed from a dark bronze to an unhealthy
yellow; fear, plain and grimly unmistakable, was in his face. Then he
strode to the window and threw it open with a crash. The wind leaped in
and tossed the flame in the throat of the chimney, so that great shadows
waved suddenly through the room, and made the chairs seem afloat. Even
the people were suddenly unreal. And the rush of the storm gave Byrne an
eerie sensation of being blown through infinite space. For a moment
there was only the sound of the gale and the flapping of a loose picture
against the wall, and the rattling of a newspaper. Then he heard it.
First it was a single note which he could not place. It was music, and
yet it was discordant, and it had the effect of a blast of icy wind.
Public-domain text, read in full here on John Shaqi.
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