The Night Side of LondonRitchie, J. Ewing (James Ewing)
History
The Night Side of London
Ritchie, J. Ewing (James Ewing)
London (England) -- Social life and customs -- 19th century
“Give me the songs of the people, and you may make its laws,” said old
Fletcher, of Saltoun, with a knowledge of human nature which statesmen do
not frequently possess. Necessity is a stern taskmaster, and the workman
in the factory, and the clerk in the counting-house, and the shopman
behind the counter, are generally compelled to stick pretty close to
work, and to the eye of the observer present very much the same
appearance. They come at certain hours, they go at certain hours, and
perform their daily toil with a certain amount of effectiveness and
skill. Very little credit is due to them for this—their livelihood
depends upon their being diligent and active—and hence I know little of
the individual by merely witnessing him toiling for his daily bread. I
must follow him home; I must be with him in his hours of relaxation; I
must listen to the songs he sings and the jokes he attempts; I must see
what is his idea of pleasure, and thus only can I get at the man as he
is. Even his church or chapel goings I cannot take as indications of his
real nature. He may go because his parents go, because his master goes,
because his friends go, because he has been trained to go, because
society expects him to go,—for a hundred reasons all equally vain in the
eyes of Him who searcheth the heart and trieth the reins of the children
of men; but no man is a hypocrite where his pleasures are concerned. I
can gather more about him from the way in which he spends his leisure
hours than I can from his active employments of the day. They are poor
miserable philosophers indeed, and guilty of an enormous blunder, who, in
their investigation into the moral and social condition of the people,
refuse to notice the amusements of the people in their hours of gaiety
and ease. I make, then, no apology for introducing you to Canterbury
Hall.
Public-domain text, read in full here on John Shaqi.
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