The Night Side of LondonRitchie, J. Ewing (James Ewing)
History
The Night Side of London
Ritchie, J. Ewing (James Ewing)
London (England) -- Social life and customs -- 19th century
Reader, do you know the Cave of Harmony? If you do not, so much the
better. If you are one of its _habitués_, I fear no words of mine can
make you forsake it. It is said the Cave is altered since we were
there—so much the better; Thackeray, I think, had something to do with
that reform—and that now nothing objectionable is sung. Still, I doubt
whether drinking and harmony after 12 P.M. can do much good. You and I,
it may be, are old men,
“Ruin’d trunks on wither’d forks,
Empty scarecrows you and I.”
We have run through youth with money in our pockets and time on our
hands, and have seen all that life can offer, and know, what so many do
not, that pleasure’s cup but sparkles near the brim. What we have done
and been has been wine working on the fiery impulses of young blood, but
now, sir, with our hair turning grey and our eyes growing dim, shall we
not lift up a warning voice, and ask youth to pause ere it take the final
plunge which for years, it may be for ever, shall estrange it from
innocence, and peace, and God.
It is midnight in the great city in which we write. For a while sorrow
and care are veiled from the eyes of men, and to the poorest and most
toilworn come pleasant dreams. The shops have long been closed, the roar
of the streets has died away, the theatres have discharged their jaded
crowds, and as we walk along, meeting now and then a poor drunkard
reeling home—or a policeman silently patrolling the streets—or one of the
unfortunates, by turns man’s victim and curse—or some of the votaries of
dissipation who are awake when other men are asleep—we realize all the
grandeur and poetry and magnificence of London by night, and wonder not
that Savage and Johnson should have found such a fascination in the
scene, and that other sons of genius have read such sermons in its
eloquent stones. Let us stroll towards Covent Garden—in another hour it
will be ringing with the oaths and execrations of seemingly all the
market gardeners in Middlesex—and enter that doorway indicated by the
glare of gas; come with me down these stairs, and into that room, the
door of which the waiter holds obligingly open. Let us stand here while
we recover from the effect of the fumes of grog and the smoke of tobacco.
You find yourself in a room holding perhaps 1200 gentlemen; look around,
this is a respectable place, this Cave of Harmony, there are no poor
people here. We have heavy swells, moustached, and with white
kids—officers in the army—scions of noble houses—country gentlemen, and
merchants, and lawyers in town on business—literary men, medical
students, and old fogies, with every moral sensibility dead, who have sat
here for years listening to the same songs and the same outpourings; they
could tell you something, these old fogies—what changes they have seen,
as one generation after another of students and rakes and men about town
have thought it fast to sup every night within these walls; of course the
Public-domain text, read in full here on John Shaqi.
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