Didactic fiction; Political fiction; Social problems -- Fiction
Joe seized the stoop-post. His body seemed torn in two; he began to
reel.
"From the ninth floor," he muttered, "and couldn't get out.... And I
wasn't there! Oh, God, why wasn't I killed there!"
III
THE GOOD PEOPLE
Joe broke through the fire line. He stepped like a calcium-lit figure
over the wet, gleaming pavement, over the snaky hose, and among the
rubber-sheathed, glistening firemen, gave one look at the ghastly heap
on the sidewalk, and then became, like the host of raving relatives and
friends and lovers, a man insane. It was as if the common surfaces of
life--the busy days, the labor, the tools, the houses--had been drawn
aside like a curtain and revealed the terrific powers that engulf
humanity.
In his ears sounded the hoarse cries of the firemen, the shout of the
sprayed water, the crash of axes, the shatter of glass. It was too
magnificent a spectacle, nature, like a Nero, using humanity to make a
sublime torch in the night. And through his head pulsed and pulsed the
defiant throb of the engines. Cinders fell, sticks, papers, and Joe saw
fitfully the wide ring of hypnotized faces. It was as if the world had
fallen into a pit, and human beings looked on each other aghast.
"Get back there!" cried a burly policeman.
Joe resisted his shouldering.
"I'm Mr. Blaine;... it's my loft burning. I'm looking for my men...."
"Go to the morgue then," snapped the policeman. "A fire line's a fire
line."
Joe was pushed back, and as the crowd closed about him, a soft pressure
of clothing, men and women, he became aware of the fact that he had lost
his head. He pulled himself together; he told himself that he, a human
being, was greater than anything that could happen; that he must set his
jaw and fight and brave his way through the facts. He must get to work.
Myra clutched his sleeve. He turned to her a face of death, but she
brought her wide eyes close to him.
"Joe! Joe!"
"Myra," he said, in a whisper, suddenly in that moment getting a sharp
revelation of his changed life. "I may never see you again. I belong to
those dead girls." He paused. "Go home ... do that for me, anyway."
He had passed beyond her; there was no opposing him.
"I'll go," she murmured.
Then, dizzily, she reeled back, and was lost in the crowd.
And then he set to work. He was strangely calm now, numb, unfeeling.
There was nothing more to experience, and the overwrought brain refused
any new emotions. So stupendous was the catastrophe that it left him
finally calm, ready, and eagerly awake. He stepped gently through the
crowd, searching, and found John Rann, the pressman. John wept like a
little boy when they met.
"Marty got out ... yes ... most of us did ... but Eddie Baker, Morty,
and Sam Bender.... It was the cotton waste, Mr. Joe, and the
cigarettes...."
Joe put his arm about the rough man.
"Never mind, Johnny ... Go home to the kiddies...."
Public-domain text, read in full here on John Shaqi.
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