Didactic fiction; Political fiction; Social problems -- Fiction
She stood there, very small, very slight, but quite charming in her
neat, lace-touched clothes. A fringe at the wrist, a bunch at the neck,
struck her off as some one delicate and sensitive, and the face
strengthened this impression. It was long and oval, with a narrow
woman-forehead cut off by a curve of dark hair; the mouth was small and
sweet; the nose narrow; the eyes large, clear gray, penetrating. Under
the gracefully modeled felt hat she stood quite complete, quite a
personality. One instantly guessed that she was an aristocrat by birth
and breeding. But her age was doubtful, seeming either more or less than
the total, which was thirty-two.
There she stood, glancing at Joe with a breathless eagerness. He turned
pale, and yet at the same time there was a whirl of fire in his heart.
She had come to him; he wanted to gather her close and bear her off
through the wild autumn weather, off to the wilderness. He reached out a
hand and inclosed a very cold and very little one.
"Why, you're frozen!" he said, with a queer laugh.
"Oh--not much!" she gasped. She held her leather bag under her arm and
took off her gloves. Then she loosened her coat, and gave a sigh.
He gazed at her warm-tinted cheek, almost losing himself, and then
murmured, suddenly:
"More school stuff?"
She made a grimace and tried to speak lightly, but her voice almost
failed her.
"Class 6-B, let me tell you, is giving the 'Landing of the Pilgrims,'
and every blessed little pilgrim is Bohemian. Here's the programme!"
With trembling fingers she opened her bag and handed him some loose
sheets. He bent over them at once.
"Now make it cheap, Mr. Blaine," she said, severely. "Rock bottom! Or
I'll give the job to some one else."
Joe laughed strangely.
"How many copies?"
"One thousand."
He spoke as if in fear.
"Fifty cents too much?"
Myra laughed.
"I don't want the school to ruin you!"
He said nothing further, and in the awkward silence she began pitifully
to button her coat. There was no reason for staying.
Then suddenly he spoke, huskily:
"Don't go, Miss Craig...."
"You want ..." she began.
He leaned very close.
"I want to take a walk with you. May I?"
She became dead white, and the terror of nature's resistless purpose
with men and women, that awful gravitation, that passion of creation
that links worlds and uses men and women, went through them both.
"I may?" he was whispering.
Her "Yes" was almost inaudible.
So Joe put on his coat, and slapped over his head a queer gray slouch
hat, and called over Marty.
"I won't be back to-night, Marty!" he said.
Then at the door he gave one last glance at his life-work, the orderly
presses, the harnessed men, and left it all as if it must surely be
there when he returned. He was proud at that moment to be Joe Blaine,
with his name in red letters on the glass door, and under his name
"Power Printer." His wife would be able to hold her head high.
Public-domain text, read in full here on John Shaqi.
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