The Nobel Prize winners in literature — John Shaqi
The Nobel Prize winners in literatureMarble, Annie Russell
History
The Nobel Prize winners in literature
Marble, Annie Russell
Authors; Literature -- History and criticism; Nobel Prize winners; Nobel Prizes; Nobel, Alfred Bernhard, 1833-1896
Although specific in his interests and a student of deep earnestness,
he had read and traveled widely; as conversationalist he excelled,
informed upon topics in almost every branch of learning and activity.
To him has been attributed the oft quoted sentence, “Each student must
choose his special field of labour but he must not imprison himself
within its confines.”[23] He was called “the modern Erasmus” because
of his versatile knowledge. He wrote with facility and grace, as well
as vigor, whether his theme was a monumental _History of Rome_, or
a journalistic discussion of current affairs. In political creed he
belonged to the National Liberal Party. He was, however, never partisan
in his ultimate purposes and hopes for future union of factions. He
opposed Bismarck in his tenets and sometimes won over him in courts of
law and in the Prussian House of Delegates, by his keen, logical mind.
At the same time, he admired the Chancellor very much and said, “What a
calamity it is for us all that political animosity should deprive us of
the privilege of mixing socially with such a man!” On principle, he was
opposed to British attitude towards the Boers, and gave his allegiance
to the revolutionists. Again, he deplored the strained relations at
times between his country and England and asserted, “What a pity that
two great nations of kindred race should remain at loggerheads!”[24] He
detested slavery and considered the Civil War in the United States “a
holy crusade.”[25]
More than one hundred volumes of original writing and translations
from the Latin and Germanic languages are listed under Mommsen’s name
in large German libraries. Edward A. Freeman, a critic and historian
of international repute, has called Mommsen “the greatest scholar
of our times, well-nigh the greatest scholar of all times.” His
writings show mastery of law, languages, customs, archeology, coins,
inscriptions and monuments, that are of inestimable value to students.
He was editor of _Corpus inscriptionum Latinarum_ which was issued
by the Berlin Academy of which he was secretary for many years. To
the average reader, however, the name of Theodor Mommsen will always
be associated with his _History of Rome_, written 1854-1856, which
still maintains its authenticity and popularity. As a writer, Mommsen
was always illumining, with a vivid style; he was often dramatic. He
touched descriptive scenes with grace and color but he was convincingly
realistic in his portrayal of events and characters. He unfolded a
large canvas but he kept a true focus and threw a strong light upon
both individuals and group-pictures, from the early days of Rome to the
death of Julius Cæsar.
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