The Normans in European historyHaskins, Charles Homer
History
The Normans in European history
Haskins, Charles Homer
Europe -- History; Great Britain -- History -- Medieval period, 1066-1485; Normans -- Europe
To the American traveller who wends his way toward Paris from
Cherbourg, Havre, or Dieppe, the first impression of Normandy is that
of a country strikingly like England. There are the same high chalk
cliffs, the same “little grey church on the windy shore,” often the
same orchards and hedges, poppies and roses. There are trees and
wide stretches of forest as in few other parts of France, placid,
full-brimmed rivers and quiet countrysides, and everywhere the rich
green of meadow and park and pasture, that vivid green of the north
which made Alphonse Daudet at Oxford shudder, “Green rheumatism,” as
he thought of the sun-browned plains and sharp, bare hills of his
own Provence. Normandy is brighter than England, with a dash more
of color in the landscape, but its skies are not sunny and its air
breathes the mists of the sea and the chill of the north. There is a
grey tone also, of grey towns and grey sea, matched by an austere and
sombre element in the Norman character, which, if it does not take
its pleasures sadly after the manner of Taine’s Englishmen, is prone
to take them soberly, and by an element of melancholy, a sense of _le
glas des choses mortes_, which Flaubert called the melancholy of the
northern barbarians. The Norman landscape also gives us the feeling
of finish and repose and the sentiment of a rich past, not merely in
the obvious externals of crumbling wall and ivied tower, but in that
deeper sense of a people bound from immemorial antiquity to the soil,
adapted to every local difference through long generations of use and
wont, in an intimate union of man and nature which makes the Norman
inseparable from his land. All this, too, is English, but English with
a difference. Just as, in Henry James’s phrase, the English landscape
is a landlord’s landscape, and the French a peasant’s, so the _mairie_
and the _préfecture_, the public garden and the public band, the café
and the ever-open church, the workman’s _blouse_ and the grandam’s
_bonnet_, remind us continually that we are in a Latin country and on
our way to Paris.
Public-domain text, read in full here on John Shaqi.
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