It is scarcely necessary for us to call the reader’s attention to the details of this picture, in which correctness of design and graceful outlines predominate to such an extent that we may safely pronounce the beautiful youth who sits enthroned on his elaborate and artistic throne, the American Apollo. In the original drawing the grace of the arms and wrists is truly matchless, and the chest muscles are displayed in the most perfect manner. The embroidered girdle and folded drapery of the figure, as well as the drapery around the leopards’ necks, are arranged with taste. The head-dress is not unlike a Roman helmet in form, with the addition of numerous plumes. The sandals of the feet are secured by a cord and rosette, while ornaments on the animals’ ankles seem secured by leather straps. The engraving does not do justice to the face-like ornament suspended by the string of pearls upon the youth’s breast. In the original drawing it is quite beautiful, and of a female cast.[560] The next subject of interest to the student of sculpture is found in the Temple of the Cross, in the inmost sanctuary of all, and is known as the Tablet of the Cross. Three stones cover most of the surface of the rear wall of the sanctum sanctorum, and present an area six feet four inches high by ten feet eight inches wide. The central of the three stones bears the celebrated sculpture of the cross which has excited so much interest and comment, to say nothing of speculation as to its origin. The cut is a photographic reduction from Waldeck’s drawing. A priest and priestess appear to be offering an infant to an ugly bird which stands perched upon the cross. The infant’s face is completely hid by a fantastic mask or cap. The expression of pain on the faces of the officiating personages is very marked. The symmetry of proportion employed in the sculpture is conceded by all observers. The two lateral stones (the left-hand one being shown in our cut) are covered with hieroglyphics, which begin at the left-hand upper corner with a large capital letter. Some one had removed the central stone from its position prior to Waldeck’s visit, and conveyed it to a point in the forest not far distant. Stephens also found it in the same locality. By referring to the hieroglyphic tablet at the left of the cross it will be observed that just below the large initial letter or word is a threefold hieroglyphic, while seven others in the same column are double. This would indicate, we should think, that the characters were read from the top downwards, though it is possible that the lines were read horizontally, each line beginning with a capital as in poetry.[561] [Illustration: Tablet of the Cross.] [Illustration: Palenque Statue.]