The North Americans of Antiquity: Their origin, migrations, and type of civilization consideredShort, John T. (John Thomas)
History
The North Americans of Antiquity: Their origin, migrations, and type of civilization considered
Short, John T. (John Thomas)
Indians -- Origin; Indians of Mexico -- Antiquities; Indians of North America -- Antiquities
chasteness of design a great relief from the gorgeous masses of other
façades. The cornice over the central doorway and the corners of the
eastern court façade are ornamented with ugly masks and “elephant
trunks” protruding from them, as in the Governor’s home.[566] If the
preceding façade is the most generally admired of those at Uxmal, “the
most magnificent and beautiful front in America” is that of the Serpent
Temple, or western court façade of the Nunnery, as is shown in the
accompanying engraving, which is a photographic reduction of Waldeck’s
drawing employed in Mr. Bancroft’s work.
[Illustration: Western Court Façade—Casa de Monjas.]
[Illustration: Sun Symbol.]
The marked feature of the sculpture is the formation of square panels
by the intertwined bodies of two huge stone serpents with monster
heads, surmounted by plumes and enclosing between the jaws of each a
human face. A head and tail as shown above occupy opposite extremes of
the front. This may be a representation of the plumed serpent of the
Central American mythology. The stone lattice-work (a feature of Uxmal
sculpture) underlying the serpents and covering the panels formed
by their folds, is more complicated and beautiful than any other in
America. At regular intervals large grecques or arabesques, with their
connecting bars lengthened to the width of the entire sculptured
portion of the façade, are distributed. Several panels are ornamented
with life-sized human figures, while each panel contains a human
face, some of which are as beautiful as the Greek models. The upper
cornice is ornamented, as are all the other cornices of the Nunnery,
with what are supposed to be Sun symbols, one of which is shown in the
cut, reduced photographically from Waldeck’s drawing. The appended
“feathers” are almost Assyrian in their type, while the double triangle
within the circle is certainly an ancient symbol in the old world.
[Illustration: “Elephant Trunk.”]
Public-domain text, read in full here on John Shaqi.
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