The North Americans of Antiquity: Their origin, migrations, and type of civilization consideredShort, John T. (John Thomas)
History
The North Americans of Antiquity: Their origin, migrations, and type of civilization considered
Short, John T. (John Thomas)
Indians -- Origin; Indians of Mexico -- Antiquities; Indians of North America -- Antiquities
The “elephant trunks” and rude masks employed as ornaments above
the doorways of the other fronts, are also numerous here. Since
M. Waldeck’s visit portions of this wonderful example of ancient
decorative art have fallen.[567] The northern building of the court
offers no sculptured contrasts with the other buildings, except that
above the upper cornice, thirteen turrets, each seventeen feet high
and ten feet wide, are distributed at regular intervals, and are
also covered with sculpture resembling the grecques of the Serpent
temple. Most of the sculptures at Uxmal were probably painted, as
traces of various colors were observed in sheltered localities. The
rich sculptures of the prophet’s house were painted blue, red, yellow
and white, according to M. Waldeck. The Mayas no doubt employed the
brush freely, and in some instances with skill. In the gymnasium at
Chichen-Itza, Stephens grew enthusiastic over the exceedingly fine
series of paintings in bright colors, which cover the walls of one
of the chambers. Many of the pictures have been destroyed by the
falling of the plaster upon which they were painted. In this series of
pictures, battles, processions, houses, trees and a variety of objects
are represented—blue, red, yellow and green are the colors employed,
though the human figures are painted reddish brown.[568] At Chichen, as
elsewhere, the favorite subject for the Maya sculpture was the serpent.
A colossal serpent balustrade is one of the wonders of this interesting
place.
Public-domain text, read in full here on John Shaqi.
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