The North-Americans of yesterday : $b a comparative study of North-American Indian life, customs, and products, on the theory of the ethnic unity of the raceDellenbaugh, Frederick Samuel
History
The North-Americans of yesterday : $b a comparative study of North-American Indian life, customs, and products, on the theory of the ethnic unity of the race
Dellenbaugh, Frederick Samuel
Indians of Mexico; Indians of North America
Holmes believes almost all these metal objects were cast in moulds,
as noted, but he mentions other processes by which they may have
been made. They have the appearance of having been modelled in some
plastic material, and then coated with clay, when by the action of
heat the wax runs away, leaving the hollow clay as a mould to receive
the metal. This is the _cire perdue_ process. Small figures of
resin, in all respects modelled like those found in metal, have been
discovered in the graves. This seems to add to the probability of a
Chiriqui acquaintance with the _cire perdue_ process. Another method
suggested is that the various metallic parts of a figure were enclosed
in a clay matrix and then heated till the parts melted and joined,
but this appears to be too uncertain and difficult to have warranted
its practice. Still another method advanced is the coating of a wax
figure with sheet gold and melting the wax, when a hollow gold figure
would be the result. This is possible but not probable. Yet one more
suggestion is that the gold was reduced to an amalgam with mercury,
and thus modelled, when the mercury being driven off by heat the gold
figure would remain. One difficulty with this theory seems to be that
there is no evidence that the Chiriquians knew mercury. As many of the
objects are washed or plated with pure gold, it would seem that the
pure gold was the most difficult to obtain, and that, as before stated,
the gold-copper alloy was a natural one. There is neither engraving nor
carving on these objects; and the objects themselves are the same crude
productions that are indicative of pure Amerind art everywhere on the
continent. Some are more crude than others, but all Amerind sculpture,
modelling, and carving are essentially rude and primitive. In the form
and artistic execution of the Chiriqui objects of gold and copper we
may be positive that there is no European influence, whatever there
may be in the method of production. It is probable that the objects
are entirely native, and they offer another lesson that the tribes of
North America were everywhere working and inventing, and gradually
conquering the secrets of nature just as our ancestors did and just as
we are still doing to-day; some doing more, others less; some being
quick, and others clumsy, ignorant, and dull. The bells are usually of
bronze, having the shape of our common sleigh-bell, and are frequently
gold-plated. The bells found in Arizona are of this description but not
plated.
[Illustration: TRIPLE BELL OR RATTLE OF GOLD FROM NEAR PANAMA]
[Illustration: BRONZE MEXICAN BELL]
Public-domain text, read in full here on John Shaqi.
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