The North-Americans of yesterday : $b a comparative study of North-American Indian life, customs, and products, on the theory of the ethnic unity of the raceDellenbaugh, Frederick Samuel
History
The North-Americans of yesterday : $b a comparative study of North-American Indian life, customs, and products, on the theory of the ethnic unity of the race
Dellenbaugh, Frederick Samuel
Indians of Mexico; Indians of North America
Like everything else pertaining to man, it is a matter of development
modified by circumstances. Fillmore’s excellent investigation[284] in
this line only proves again that man is the same in all climes and ages
since first we get track of him, so far as his fundamental make-up is
concerned. Variations and differences are only those which come from a
development of latent talents or possibilities. He always moves, when
he moves, along certain lines that are prearranged by his constitution
and his environment. He may stop where circumstances direct, but he
will have stopped where others stopped before.
[Illustration: SET OF PLAYING STICKS]
There is always a great deal of repetition in the songs. The Amerind
seems content to go over and over again the same few notes. In some
tribes the poet and singer stands in the interior of a circle formed by
all the members of the tribe—men, women, and children—around a cedar
tree from which all but the top branches have been removed. A time of
moonlight is chosen, and I remember well such a night with some Pai
Utes, of Arizona. The poet recited his refrain, then all took it up
and repeated it in song, circling round and round the cedar with their
peculiar shuffle, repeating and repeating. I joined the circle and the
singing till I became tired, and finally left them still enjoying it.
The poet would give out some such stanza as
“No rabbit kill,
No rabbit eat,”
and it would serve the purpose for a considerable time, when he would
be obliged to announce a new one.
Mooney has translated some of the songs of the Arapahos used in the
Ghost or Resurrection Dance, and I give several as specimens of their
style[285]:
“O, my children! O, my children!
Here is another of your pipes—He eye!
Here is another of your pipes—He eye!
Look! thus I shouted—He eye!
Look! thus I shouted—He eye!
When I moved the earth—He eye!
When I moved the earth—He eye!
————
“The sacred pipe tells me—E yahe eye!
The sacred pipe tells me—E yahe eye!
Our father—Yahe eye!
Our father—Yahe eye!
We shall surely be put again (with our friends) E yahe eye!
We shall surely be put again (with our friends) E yahe eye!
Our father, E yahe eye!
Our father, E yahe eye!
————
“The cedar tree, the cedar tree!
We have it in the centre!
We have it in the centre!
When we dance,
When we dance,
We have it in the centre!
We have it in the centre!
————
Public-domain text, read in full here on John Shaqi.
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