The North-Americans of yesterday : $b a comparative study of North-American Indian life, customs, and products, on the theory of the ethnic unity of the raceDellenbaugh, Frederick Samuel
History
The North-Americans of yesterday : $b a comparative study of North-American Indian life, customs, and products, on the theory of the ethnic unity of the race
Dellenbaugh, Frederick Samuel
Indians of Mexico; Indians of North America
In the matter of decoration there is found a general similarity of
methods in the different regions. Apparently the first decorations
were the unavoidable result of methods of manufacture, whether moulded
or coil-made. In the first instance the meshes of the wicker mould,
or such part of them as could not easily be covered up with a sandy
paste to prevent adhesion, impressed themselves upon the soft clay;
or the fabric that was employed to remove the work from a mould made
impressions upon the ware. If coil-made, the pinching of the clay rope
into position left marks of the finger-tips and the finger-nails with
a regularity that doubtless came to be admired and then modified to
conform to fancy, and finally finger markings and other markings and
indentations grew, especially in our South-west, into a regular system
of decoration. The irregularity due to pinching the rope in place is
less with the expert than it was with the primitive potters, and it
is now smoothed off entirely with a “rib,” the left hand being placed
opposite the pressure applied with the right.[97] In the earlier forms
the fingers of the right hand held stiffly downward seem to have been
used to even up the irregularity of the coils to some extent, as may be
discerned in figure page 116, where there are diagonal grooves across
the lines of the coil, evidently made, the left hand being inside the
jar, by drawing the fingers of the right, or rather the forefinger
braced against the others, diagonally upward upon the outer surface.
The operation would be almost identical with the modern practice except
that the fingers were used instead of a “rib.” Indentations were also
made with a sharp instrument in a pattern, and another method seems
to have been to smooth off all the pinch marks, except in certain
areas that when left would form a pattern. Thus in the latter case the
pattern was produced by a system of obliteration. In figure on page
118, a vase from the Moki country, of the ancient Pueblo manufacture,
shows this method of making a pattern by smoothing down pinch marks.
To do this the pinch marks would intentionally be made with some
regularity.
[Illustration: ENGRAVED WARE, ARKANSAS.]
[Illustration: BLACK CUP, CHIRIQUI.]
Public-domain text, read in full here on John Shaqi.
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