The North Devon CoastHarper, Charles G. (Charles George)
History
The North Devon Coast
Harper, Charles G. (Charles George)
Devon (England) -- Description and travel
“When you’ve bin out on the tiddly-hi.
Oh, my!
(You try!)
You feel confoundedly cheap, and dry.
‘You’ve bin on the bend,’ the guv’nor said,
‘_You’ve_ bin painting it red.’
_I’d_ bin wanting a rise,
But ’_e_ giv me a nasty surprise;--
For (_dolefully, dimuendo_) I got the push instead;
An’ _that’s_ the result of goin’ out-on-the-blooming--
tiddly, iddly (_but, with returning confidence,
fortissimo_) HI, TI-HI.”
But, wearying for local colour, rather than for more of this sort
of thing, which, after all, is done very much better in the London
music-halls, you resort to the harbour. There indeed--if anywhere--you
look for something characteristically Devonian. But even there the
streets are brilliant till late at night with dining-rooms and
the like--merciful powers, how every one must eat and drink at
Ilfracombe--and the fishermen, if the samples heard by the present
auditor are representative, are pre-eminently the foulest-mouthed to be
found on many a varied coast-line.
I know not what the quiet holiday-maker may find to do at night
at Ilfracombe. He may, at any rate, go to bed, but even there he
is pursued by sounds of revelry. He undresses to the refrain of
tiddly-iddly, diddy-dum-dey, or something equally intellectual, and his
first dreams mingle with the distant, but distinctly audible,
“I ’eard the pitter-patter of ’er feet,
Oh, so neat!
Pitter-patter on the pyvement of the street.
On ’er fyce I tried to look,
An’--good grycious, ’twas the cook!”--
And thus, in the Cockney celebration of mean intrigue, the melody
merges into the mesh of visions.
What, indeed, shall the lonely visitor to Ilfracombe do with himself in
the evenings? He may wander around the walks of the Capstone Parade or
the Tors, and feel himself reduced to a singular loneliness amid the
amorous couples who there most do congregate; or feel not less lonely
in exploring the endless “gardens,” “terraces,” and “crescents,” where
every house is a boarding-house; or, in the finer flavour of euphonious
avoidance of the commonplace truth, “an establishment for the reception
of visitors.” There, alas! he feels himself lonely indeed, as, passing
the endless array of lighted rooms with open windows, he sees the
holiday-making families assembled.
Public-domain text, read in full here on John Shaqi.
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