The North Devon CoastHarper, Charles G. (Charles George)
History
The North Devon Coast
Harper, Charles G. (Charles George)
Devon (England) -- Description and travel
Circumstances have by this time made the traveller, who promised
himself a luxurious and leisurely journey, a hot, dusty and wearied
pilgrim. To such, the sudden change from miles of sun-burnt heights is
irresistibly inviting. To sit beneath the shade of those overhanging
alders, those graceful hazels, oaks, and silver birches, reclining on
some mossy shelf of rock, and watch the Lyn awhile, foaming here in
white cataracts over the boulders in its path, or smoothly gliding over
the deep pools, whose tint is touched to a brown-sherry hue by the
peat held in solution, is a delight. It is a delightful spot, to which
the tall foxgloves, standing pink in the half-light under the mossy
stems of the trees, lend a suggestion of fairyland.
[Illustration: WATERSMEET.]
The road winds away down the valley, its every turn revealing
increasingly grand hillsides, clothed with dwarf woods, and here and
there a grey crag: very like the Cheddar Gorge, with an unaccustomed
mantle of greenery. Descending this fairest of introductions to
the North Devon coast, past the confluence at Watersmeet, where
slender trees incline their trunks together by the waterfall, like
horses amiably nuzzling, one comes by degrees within the “region
of influence”--as they phrase it in the world of international
politics--of the holiday-maker at Lynmouth, who is commonly so lapped
in luxury there, and rendered so indolent by the soft airs of Devon,
that Watersmeet forms the utmost bounds to which he will penetrate in
this direction, when on foot. And when those who undertake so much do
at length arrive here, they want refreshment, which they appear to
obtain down below the road, beside the stream, at a rustic cottage
styling itself “Myrtleberry,” claiming, according to a modest notice on
the rustic stone wall bordering the road, to have supplied in one year
8,000 teas and 1,700 luncheons. There thus appears to be an opening for
a philosophic discussion of “Scenery as an Influence upon Appetite.”
The place is so far below the road that, the observer is amused to see,
tradesmen’s supplies are carried to it in a box conveyed by aerial
wires.
And so at length into Lynmouth, seated at the point where the rushing
Lyn tumbles, slips, and slides at last into the sea. One misses
something in approaching the place, nor does one ever find it there.
It is something that can readily be spared, being indeed nothing less
than the usual squalid fringe that seems so inevitable an introduction
to towns and villages, no matter how large or small. There are no
introductory gasworks in the approaches to Lynmouth; no dustbins,
advertisement-hoardings, or flagrant, dirty domestic details that
usually herald civilisation. The customary accumulated refuse is
astonishingly absent: mysteriously etherialised and abolished; but how
is it done? In what manner do the local authorities magic it away? Do
they pronounce some incantation, and then, with a mystic pass or two,
abolish it?
CHAPTER II
LYNMOUTH
Public-domain text, read in full here on John Shaqi.
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