Butler, Samuel, 1835-1902 -- Notebooks, sketchbooks, etc.
Henceforward, then, instead of saying that a man is hard up, let us say
that his organisation is at a low ebb, or, if we wish him well, let us
hope that he will grow plenty of limbs. It must be remembered that we
are dealing with physical organisations only. We do not say that the
thousand-horse man is better than a one-horse man, we only say that he is
more highly organised, and should be recognised as being so by the
scientific leaders of the period. A man’s will, truth, endurance are
part of him also, and may, as in the case of the late Mr. Cobden, have in
themselves a power equivalent to all the horse-power which they can
influence; but were we to go into this part of the question we should
never have done, and we are compelled reluctantly to leave our dream in
its present fragmentary condition.
Letter to Thomas William Gale Butler
_February_ 18_th_, 1876.
MY DEAR NAMESAKE . . .
My present literary business is a little essay some 25 or 30 pp. long,
which is still all in the rough and I don’t know how it will shape, but
the gist of it is somewhat as follows:—
1. Actions which we have acquired with difficulty and now perform almost
unconsciously—as in playing a difficult piece of music, reading, talking,
walking and the multitude of actions which escape our notice inside other
actions, etc.—all this worked out with some detail, say, four or five
pages.
General deduction that we never do anything in this unconscious or
semi-conscious manner unless we know how to do it exceedingly well and
have had long practice.
Also that consciousness is a vanishing quantity and that as soon as we
know a thing really well we become unconscious in respect of
it—consciousness being of attention and attention of uncertainty—and
hence the paradox comes clear, that as long as we know that we know a
thing (or do an action knowingly) we do not know it (or do the action
with thorough knowledge of our business) and that we only know it when we
do not know of our knowledge.
2. Whatever we do in this way is all one and the same in kind—the
difference being only in degree. Playing [almost?]
unconsciously—writing, more unconsciously (as to each letter)—reading,
very unconsciously—talking, still more unconsciously (it is almost
impossible for us to notice the action of our tongue in every
letter)—walking, much the same—breathing, still to a certain extent
within our own control—heart’s beating, perceivable but beyond our
control—digestion, unperceivable and beyond our control, digestion being
the oldest of the . . . habits.
Public-domain text, read in full here on John Shaqi.
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