The Notebooks of Leonardo Da Vinci — Complete — John Shaqi
The Notebooks of Leonardo Da Vinci — CompleteLeonardo, da Vinci
Science
The Notebooks of Leonardo Da Vinci — Complete
Leonardo, da Vinci
Leonardo, da Vinci, 1452-1519 -- Notebooks, sketchbooks, etc.
intercepted, are dispersed in the air.
131.
THE RAYS WHETHER SHADED OR LUMINOUS HAVE GREATER STRENGTH AND EFFECT
AT THEIR POINTS THAN AT THEIR SIDES.
Although the points of luminous pyramids may extend into shaded
places and those of pyramids of shadow into illuminated places, and
though among the luminous pyramids one may start from a broader base
than another; nevertheless, if by reason of their various length
these luminous pyramids acquire angles of equal size their light
will be equal; and the case will be the same with the pyramids of
shadow; as may be seen in the intersected pyramids _a b c_ and _d e
f_, which though their bases differ in size are equal as to breadth
and light.
[Footnote: 51--55: This supplementary paragraph is indicated as being
a continuation of line 45, by two small crosses.]
The difference between light and lustre (132--135).
132.
Of the difference between light and lustre; and that lustre is not
included among colours, but is saturation of whiteness, and derived
from the surface of wet bodies; light partakes of the colour of the
object which reflects it (to the eye) as gold or silver or the like.
133.
OF THE HIGHEST LIGHTS WHICH TURN AND MOVE AS THE EYE MOVES WHICH
SEES THE OBJECT.
Suppose the body to be the round object figured here and let the
light be at the point _a_, and let the illuminated side of the
object be _b c_ and the eye at the point _d_: I say that, as lustre
is every where and complete in each part, if you stand at the point
_d_ the lustre will appear at _c_, and in proportion as the eye
moves from _d_ to _a_, the lustre will move from _c_ to _n_.
134.
OF PAINTING.
Heigh light or lustre on any object is not situated [necessarily] in
the middle of an illuminated object, but moves as and where the eye
moves in looking at it.
135.
OF LIGHT AND LUSTRE.
What is the difference between light and the lustre which is seen on
the polished surface of opaque bodies?
The lights which are produced from the polished surface of opaque
bodies will be stationary on stationary objects even if the eye on
which they strike moves. But reflected lights will, on those same
objects, appear in as many different places on the surface as
different positions are taken by the eye.
WHAT BODIES HAVE LIGHT UPON THEM WITHOUT LUSTRE?
Opaque bodies which have a hard and rough surface never display any
lustre in any portion of the side on which the light falls.
WHAT BODIES WILL DISPLAY LUSTRE BUT NOT LOOK ILLUMINATED?
Those bodies which are opaque and hard with a hard surface reflect
light [lustre] from every spot on the illuminated side which is in a
position to receive light at the same angle of incidence as they
occupy with regard to the eye; but, as the surface mirrors all the
surrounding objects, the illuminated [body] is not recognisable in
these portions of the illuminated body.
136.
The relations of luminous to illuminated bodies.
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