The Notorious Impostor (1692); Diego Redivivus (1692)Settle, Elkanah
General
The Notorious Impostor (1692); Diego Redivivus (1692)
Settle, Elkanah
Morrell, William, -1692 -- Fiction
The next Night arriving both at _London_, (whither _Tom_ about
_Brenford_ was commanded by his Master to speed a little before to
prepare for their Reception) a very fair Lodging near St. _James_'s was
ready to entertain her, but no _Tom_ had been there; and coming to open
the Trunk, instead of the Gold and Silver Entrayls there was nothing
but a Bag of Stones, and a piece of a Brickbat to supply their places,
enclosed in a few Rags that stuft up the Trunk. This amazing sight
threw the poor Lady into a most violent Distraction, and 'twas very
hard to hold her from falling into a Fit, her Husband seeming as much
amazed as her self, and joining in the complaint as loud as she. But to
abate her Rage, he told her the wicked Rogue should not so scape, he
had very sufficient security from able Friends for his honest and
faithful service, and their Purses should make her Reparation, till
when the Loss should be made up out of his own Pocket. Nor would he
sleep till he had made her some farther satisfaction, and therefore
beg'd her Excuse but for one half Hour till he took Coach, and made
that search and quest that perhaps would bring her some considerable
Light into the Villany. Her Zeal for her Loss never look'd any farther,
and accordingly well pleas'd with the Kind Motion, she took leave of
him for the half Hour aforesaid.
But, alas, a long half Hour, for half the Evening, nay the whole Night
was gone, and neither Man nor Master to be heard of. So Husband and
Portion all departed, she thought fit to secure her Goods and Cloaths
at the Carriers, but the same Calamity attended there likewise, for
_Tom_ had been there too, and swept all.
To describe the Distress and Anguish of our present Female Sufferer, or
either of her two foregoing Sisters in Affliction, being a work beyond
our power, we shall e'ne do as the Painter did of old, that is, draw a
Vail before the Face of sorrow, the Lineaments of true Grief being
above the Pen or Pencils skill.
And now to follow our Libertine through all his Rambles and Exploits in
this wide Town of _London_, (for there lyes his next Scene) being
matter we have not yet fully been inform'd in, we dare not venture to
play the Historian any farther than certain Intelligence (which yet we
have not received) can guide us, being resolved not to load our Rambles
with Romance or Fiction, his Life being furnisht with matter
sufficiently voluminous without the addition of Flourish or Fancy.
Public-domain text, read in full here on John Shaqi.
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