The astral shells together with the still living astral body of the
medium, helped by certain forces of nature which the Theosophists
call “elementals”, produce nearly all the phenomena of non-fraudulent
spiritualism. The medium’s astral body having the power of extension
and extrusion forms the framework for what are called “materialized
spirits”, makes objects move without physical contact, gives reports
from deceased relatives, none of them anything more than recollections
and pictures from the astral light, and in all this using and being
used by the shells of suicides, executed murderers, and all such spooks
as are naturally near to this plane of life. The number of cases in
which any communication comes from an actual spirit out of the body
is so small as to be countable almost on one hand. But the spirits of
living men sometimes, while their bodies are asleep, come to _séances_
and take part therein. But they cannot recollect it, do not know how
they do it, and are not distinguished by mediums from the mass of
astral corpses. The fact that such things can be done by the inner
man and not be recollected proves nothing against these theories, for
the child can see without knowing how the eye acts, and the savage who
has no knowledge of the complex machinery working in his body still
carries on the process of digestion perfectly. And that the latter is
unconscious with him is exactly in line with the theory, for these
acts and doings of the inner man are the unconscious actions of the
subconscious mind. These words “conscious” and “subconscious” are of
course used relatively, the unconsciousness being that of the brain
only. And hypnotic experiments have conclusively proved all these
theories, as on one day not far away will be fully admitted. Besides
this, the astral shells of suicides and executed criminals are the
most coherent, longest lived, and nearest to us of all the shades of
hades, and hence must, out of the necessity of the case, be the real
“controls” of the _séance_ room.
Public-domain text, read in full here on John Shaqi.
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