"Around the branches of the coral shrubs play the humming-birds of the ocean: little fishes sparkling with red or blue metallic glitter, or gleaming in golden green or brightest silvery lustre; like spirits of the deep, the delicate milk-white jelly-fishes float softly through the charmed world. Here gleam the violet and gold-green Isabelle, and the flaming yellow, black, and vermilion-striped Coquette, as they chase their prey; there the band-fish shoots snake-like through the thicket, resembling a silvery ribbon glittering with rose and azure hue. Then come the fabulous cuttle-fishes, in all the diaphanous colours of the rainbow, but with no definite outline. "When day declines, with the shades of night this fantastic garden is lighted up with renewed splendour. Millions of microscopic medusæ and crustaceans, like so many glowing sparks, dance through the gloom. The Sea-pen waves in a greenish phosphorescent light. Whatever is beautiful or wondrous among _fishes_, _Echinoderms_, _jelly-fishes_ and _polypi_ and _molluscs_, is crowded into the warm and crystal waters of the Tropical ocean." It is stated on the Title-page that "THE OCEAN WORLD" is chiefly translated from M. Louis Figuier's two most recent works. In justice to that gentleman, we must explain this statement. The History of the Ocean is to a large extent, but not wholly, compiled from "La Terre et les Mers," one of the volumes of M. Figuier's "Tableau de la Nature;" but the larger portion of the work is a free translation of that author's latest work, "La Vie et les Moeurs des Animaux." Other chapters, such as "Life in the Ocean," the chapter on Crustaceans, and some others, are compiled from various sources; they will not be found in either of M. Figuier's volumes; but in other respects his text has been pretty closely followed. * * * * * M. Figuier's plan is to begin the study of animals with the less perfect beings occupying the lower rounds of the Zoological ladder, his reason for doing so being an impression that the presence of the gradually perfecting animal structure, from the simplest organisms up to the more perfect forms, was specially calculated to attract the reader. "What can be more curious or more interesting to the mind," he asks, "than to examine the successive links in the uninterrupted chain of living beings which commence with the Infusoria and terminate in Man?" The work, he hopes, is not without the impress of a true character of novelty and originality; at least he knows no work in which the strange habits and special interests of the Zoophytes and Molluscs can be studied, nor any work in which an attempt is made to represent them by means of designs at once scientifically correct and attractive from the picturesque character of the illustrations, most of which have been made from specimens selected by Monsieur Ch. Bévalet from the various museums in Paris.